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Review
"This history of film theory will enrich our discipline and remain an important source of both information and understanding for some time to come."--Quarterly Review of Film Studies
"Andrew's guidebook...is the first in English to cover a relatively broad range of figures."--Sight and Sound
"Sure to whet one's appetite for the contemporary French film theory of Mitry, Metz, Ayfre and Agel."--Film Criticism
"The book is excellent."--Ivan Pedro Murily, Southern Illinois University
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What is film theory? Read the first page
Concordance
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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For instance, from page 57 comes the sentence: "In Piaget's terms, he [Eisenstein] wanted cinema to become or to produce a 'global syncretism of individual transductive inferences.'" And this is supposed to be an introduction? (You may be able to view page 57 through Amazon.com's "Search inside the book" feature.) I found myself re-reading paragraphs a few times to try to comprehend what was being said. I would recommend this book as a good survey of film theory for readers who have already had exposure to film theory and have some background in philosophy, psychology, and linguistics.
Another problem is that the book was published in 1976, so roughly 25% of film theory history is missing. An updated or revised edition is needed. It would be interesting to see if/how the recent Dogme 95 movement fits into film theory history.
This book might be valuable to film students or film geeks who've read other books about film theory, but for the average reader, this isn't the best "introduction" on the subject.
I also strongly recommend reading "The subject of Semiotics" by Kaja Silverman and "Superstructuralism" by Richard Harland. Both of these books will help understand why cinema is probably the most powerful medium through which art and mass consumerist culture are able to collide effectively thereby creating a powerful arena to experience meaning.
It is truly an essential book that should be read by anyone who is interested in thinking, period.
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