Jeanie Barton's newest CD, The Magical Mirror, is both serious and charming, like the artist herself. Her unfailingly accurate pitch allows her to engage emotionally rich subjects - love, loss, and the oddly moving details of everyday life - without skimping on the musical shadows and lights through which she tells some truths about the inner life. `The Magical Mirror' and `Scared of the Keys' are both contemporary in diction and theme, and are central songs of the collection, and I expect they will be covered by other singers.
But Barton's compositions also play the complex structure of her long lines of lyric against the laughter in her singing voice. In the songs of loss, Barton presents an elegiac persona while maintaining the taut austerity of her vocal tone. In her latin numbers, her songs modulate into the sexy-comic terrain that I don't hear too often, but was worked elegantly by singers like Lee Wiley, Ginger Rogers, and Jean Harlow singing `Reckless.' `I Try Too Hard' is dry and witty, making vocalese and narrative clauses merge and separate. In`Don't Assume That I'm Blue' Barton is charming and hilariously scathing at the same time.
This is a CD in which every song is important and as a whole, it offers us portrait of a singer/composer/lyricist who is prepared to be serious and insouciant. Much to admire here; and much to find moving and amusing. And Barton's voice is...well...its radiant.