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If you can suspend your standard expectations of what state-theory should be all about, you will find Taussig's book extremely rewarding and even humorous in spots. If you remove the historical, traditional, and methodical bases of Benedict Anderson's Imagined Communities, and inject a generous helping of hallucinatory imagery, dada-esque playfulness, and representational experimentation (and maybe some steriods), you MIGHT come within several kilometers of describing Taussig's masterful book. But in this case, to describe would be to "write around," and this is certainly a work that should be "written with" and celebrated for the vistas from which it enables us mere mortals to see.
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