My wife and I both thoroughly enjoyed this Kenneth Brannagh film of Mozart's "The Magic Flute".
We are keen opera goers and have seen the opera a number of times in the theatre, as well as having a CD recording at home. So, you might think, we were bound to like it....perhaps you're right, but Brannagh's adaptation is extremely modern and may not be to the taste of all traditional opera goers.
If you have ever seen a Matthew Bourne ballet then you will understand what I mean when I say that Brannagh has done for "The Magic Flute" what Bourne did for "Swan Lake" and "The Nutcracker".
If the comparison isn't appropriate for you then what Brannagh has done is to take an established opera and given it some modern zing by bringing the action into a reasonably modern setting (First World War trench warfare), procuring a sharp modern translation from Stephen Fry and taking full advantage of the gamut of modern film trickery.
The result is a rich visual and aural extravaganza: opera works best when it transcends just the singing and becomes a multi-media extravaganza. Brannagh has certainly created such a feast with this production: the settings and action are memorable so that, allied to some superb singing, the result is a wonderful, sumptuous opera film.
It will be interesting to see whether non-opera fans will enjoy the film. I'm not sure that they will: whilst the diction of the singers is near-perfect, so that you can follow the dialogue reasonably easily, the essential elements of "The Magic Flute" plot are still there...and therein lies the rub: the magical elements of the tale are easy to believe due to Brannagh's clever production and he has done well to create a meaningful relationship between The Queen of the Night and Sarastro but, even so, the plot retains some of its loopiness which may spoil the film for some who are expecting a coherent plot.
For everyone else who is just "happy to go with the flow" then the result should be a thoroughly enjoyable film!