"I'm not a drinker--I'm a drunk." These words, and the serious message behind them, were still potent enough in 1945 to shock audiences flocking to The Lost Weekend
. The speaker is Don Birnam (Ray Milland
), a handsome, talented, articulate alcoholic. The writing team of producer Charles Brackett and director Billy Wilder pull no punches in their depiction of Birnam's massive weekend bender, a tailspin that finds him reeling from his favorite watering hole to Bellevue Hospital. Location shooting in New York helps the street-level atmosphere, especially a sequence in which Birnam, a budding writer, tries to hock his typewriter for booze money. He desperately staggers past shuttered storefronts--it's Yom Kippur, and the pawnshops are closed. Milland, previously known as a lightweight leading man (he'd starred in Wilder's hilarious The Major and the Minor three years earlier), burrows convincingly under the skin of the character, whether waxing poetic about the escape of drinking or screaming his lungs out in the D.T.'s sequence. Wilder, having just made the ultra-noir Double Indemnity, brought a new kind of frankness and darkness to Hollywood's treatment of a social problem. At first the film may have seemed too bold; Paramount Pictures nearly killed the release of the picture after it tested poorly with preview audiences. But once in release, The Lost Weekend
became a substantial hit, and won four Oscars: for picture, director, screenplay, and actor. --Robert Horton
Billy Wilder's classic drama starring Ray Milland as a writer and inveterate alcoholic who evades his brother to embark on a binge around New York. Don Birnam (Milland)'s struggles with alcohol have become clear to those close to him. However, having satisfied himself that Don hasn't had a drink for ten days, his brother, Wick (Philip Terry), agrees to escort Don's girlfriend, Helen (Jane Wynam), to a show while the writer prepares himself for their planned trip to the country. Instead, Don uses the absence of the pair to search his apartment for the booze Wick has hidden and sets off for the city's watering holes when he can't find any. Over the days that follow, Helen and the increasingly exasperated Wick attempt to track down the absent Don, but can anyone help the wayward writer get back on the wagon?