On the surface, The Lost is about the escalating conflict between a murderous sociopath and a zealous lawman. Look closely, however, and you'll find a book dealing with questions about the nature of love, the price of loyalty, and the difficulty of facing overwhelming personal and cultural upheaval. Gripping due to the constant potential for sudden violence (this is a Ketchum novel, after all), The Lost thrills as much for its psychological and emotional richness as it does for its pervasive violence and suspense.
The tale begins in 1965 with an act of sudden, unexpected carnage when sociopath Ray Pye shoots two female campers in cold blood after one of the pair rejects his pitiful romantic advances. The vicious attack, witnessed by Pye's stunned companions, Tim Bess and Jennifer Fitch, leaves one woman dead, the other in a coma.
It is the death of the second camper in 1969 that signals the true beginning of Ketchum's story. We discover that Sparta, New Jersey Police Detective Charlie Shilling has spent the past four years searching for evidence linking Pye to the crime. Bess and Fitch have kept their silence, perhaps from a sense of misguided loyalty, perhaps out of love. Pye, practically daring Shilling to arrest him, has also kept his cool, sticking to a story the detective can't contradict. Frustrated by his failure, Shilling intentionally provokes Pye, finally pushing the mentally unstable killer over the edge. Using the same weapons he carried that fateful night four years earlier, Pye takes gruesome revenge on his real and imagined enemies.
In tone The Lost recalls Red, but, unlike that book, has a much broader scope. Ketchum purposefully adopts a slower pace, so as to more completely explore the complexities of his numerous characters' personalities and relationships. The small vacation town of Sparta acts as a microcosm of the country, as the characters deal with the unpleasant reality of random violence as part of everyday American life -- suddenly, it's not something that only happens in the big city (the Tate-LaBianca killings perpetrated by the Manson family are prominently mentioned, inspiring Ray Pye to further mayhem). As such, it also holds a mirror up to today's world as well, where children practice drills to prepare them for the eventuality of their peers shooting up the school. It takes courage to look into that mirror, but Ketchum's never been one to flinch from unpleasant tasks. He exposes the lies we tell ourselves so we can rest easy at night in the knowledge that it couldn't possibly happen here.