In the world of Tolkien artwork, two artists sit at the top of the heap: Alan Lee and John Howe. These two artists have devoted a lot of ink to sketching scenes from J.R.R. Tolkien's masterworks, and in the "Lord of the Rings Poster Collection 2," we get to see some of Lee's best work.
"The Halls of Moria" is one of the most stirring pieces of artwork -- an enormous dark hall full of pillars and vaulted ceilings, with a beam of light shining over the Fellowship. "Tol Brandir" shows a tangle of leafless branches, mossy rocks and stone steps. And then there's the "Golden Hall," a beautiful landscape crowned by a hill, on top of which is Theoden's home. Lee's painted clouds look as if they are glowing.
"Orthanc" shifts the focus to grimmer subjects -- Saruman's stronghold is immense, menacing, vaguely insectile with its black shiny look. And, of course, it's surrounded by floodwater. "The Siege of Gondor" is tightly packed with grinning, creepy orcs with spears, and a few human warriors, one of whom is dead. And "Two Orcs" has a pair of suitably creepy-looking orcs, not doing much.
Of the two poster collections of Lee's work, the second is obviously superior. We get a range of subjects, from all three books, and it shows the different kinds of artwork that Lee can do. The posters themselves are lovely -- high quality paper, clear reproduction. As for the pictures themselves....
Alan Lee does "still work" the best -- even when his subjects are in motion, they look very quiet and almost dreamlike. There's a lot of detail poured into these, since even small twigs, cracks and stains make their way into his artwork. They also tend to have muted, faded colours, lots of soft greys, browns and greens. Some of them look like sepia photographs.
Looking at these beautiful posters, it's easy to see why Lee was one of the designers for the "Lord of the Rings" movies' exquisite sets. A wonderful collection of fantasy artwork.