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| 1. The Prophecy |
| 2. Concerning Hobbits |
| 3. The Shadow Of The Past |
| 4. The Treason Of Isengard |
| 5. The Black Rider |
| 6. At The Sign Of The Prancing Pony |
| 7. A Knife In The Dark |
| 8. Flight To The Ford |
| 9. Many Meetings |
| 10. The Council Of Elrond |
| 11. The Ring Goes South |
| 12. A Journey In The Dark |
| 13. The Bridge Of Khazad Dum |
| 14. Lothlorien |
| 15. The Great River |
| 16. Amon Hen |
| 17. The Breaking Of The Fellowship |
| 18. May It Be |
Perhaps this soundtrack does veer a little too close to cliched patterns at times, but then again, given both the epic and the intimate nature of The Lord of The Rings, audiences inevitably will approach a movie like this with certain preconceptions about how the score should sound and feel.
And Howard Shore certainly delivers!
From the folksy and pastoral music which sets the sunny tone for the Hobbits, to Enya's surprisingly effective etheral voice hinting at the world weariness of the elves, to thundering choirs and lone voices roaring out grand themes and sighing out notes of loss, this score immediately defines all of the key points in the film. Grandoise horror and personal loss, peace and anarchy alike come flooding out of your speakers!
In fact, it's hard not to think of The Phantom Menace's soundtrack listening to this, and how once again George Lucas seems to have been outshone by Peter Jackson, this time in the soundtrack stakes. Where everyone can remember the Duel of the Fates theme, it is likely that many will remember various themes from this film instead.
Finally, even though the film and the first part of this trilogy end on a quiet note, it must be said that this soundtrack also ends perfectly, supplementing the dissolution of the fellowship of the ring with an urge to know more of the story, and know more of the musical themes that shall progress as the story deepens...
... Read more ›Howard Shore has managed to create lasting and haunting themes for each of the protagonists, viz the industrial sound of Isengard, the Gothic horror of the Ringwraiths, the bucolic idyll of the Hobbits, or the heroic grandeur of the Fellowship theme - who can forget the majestic panorama as each member of the Fellowship walks past the viewer in "The Ring Goes South".
The elegiac quality of the music following Gandalf's demise (at the end of "The Bridge of Khazad-Dum") brings goosebumps to my skin even now, while the "Lament for Gandalf" is as other-worldly as the Elves themselves.
Do yourself a favour and get the CD.
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