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Altman messes with Marlowe, but in an interesting way- Marlowe now comes across as a 30s/40s anachronism set in a present day 1970s. He smokes constantly, sounding lost in period talk and out of place with his dopesmoking, yoga-practicing hippy neighbours. The opening sequence is very amusing- he runs out of catfood and has to go to the local supermarket, he offers to but cookie dough mix for his hippy neighbours (suggesting hash cakes or munchies) & attempts to buy his cat's favourite brand. It turns out it's discontinued- Marlowe is dumbfounded, seemingly left behind by the modern world - and ends up trying to trick his cat to little success (this is actually being used in a current Whiskas-advert!). Watching Altman's take on The Long Goodbye, it's no surprise that critics pointed to this film when reviewing the Coen Brothers' The Big Lebowski (1998)- where Marlowe seems to be 40s trapped in the 70s, Lebowski (The Dude) is very 60s trapped in the 90s. Plus he seems rather inept as a detective...
Elliot Gould is wonderful as Marlowe, one of his great performances equal to the one he gave Altman in their previous collaboration M*A*S*H (1970). It's a very stoned film and feels a bit surreal, especially when Arnie pops up in one scene & when it turns violent towards the end.
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