December 1743, London.
At 2 or 3 a.m., one William Young, silversmith, was alerted to the fact that his showcase containing some of his work was stolen. Young testified `. . . I jumped out of bed, called the watch . . . upon my calling out, three or four watchmen came, and in about an hour and a quarter a watchman brought my show-glass back again, with about nine or ten pounds worth of goods in it.' (Chapter 2, `Stop Thief !')
This is just one of the first-hand accounts cited by Professor Shoemaker in The London Mob, which charters a wide range of social interaction and rebellion, the attendant changes in law and the evolution of a civic code. The Watch, how it responded (sadly not always as punctually as in Young's case),the private individual as detective, law-breaking and law-making - all aspects are covered in impressive detail, offering a well-rounded picture of public life in Georgian London.
Theft, duels, street life, punishment, riots, violence and the process of law: Professor Shoemaker shows, in clear and accessible language, the various changes in perception and behaviour, the transition from public to private in these various areas - whereby insults in the street declined, outdoor crimes became private homicides, and violence was, if not reduced, then progressively hidden behind closed doors.
He also clearly illustrates how the wish of the individual to appear capable of instruction and improvement necessarily drew away from public acts of violence - it was the time of the Gentleman, who had become `subject to the ideals of politeness, in which men were expected to control their emotions and be generous and complaisant towards those with whom they interacted . . . the ideals of sensibility required men to show even greater sensitivity and sympathy to other people's feelings.' (Chapter 7 `Duels and Boxing Matches')
`The London Mob' is a lively, informative book, offering a vivid picture of life in London across the 18th century. It contains excellent reference material and is well-illustrated with contemporary prints, including works by Gillray, Rowlandson and Hogarth(indeed, few works on 18th century social life would feel complete without Hogarth's Gin Lane).
Whether you are writing fiction or non-fiction requiring a background to Georgian England, whether you are boning up for a social history thesis, or whether you love anything pertaining to the Age of Enlightenment, this is a highly entertaining read.
Thoroughly recommended.