The Little Friend [Paperback]

Ten years in the writing, it can hardly be said that The Little Friend, Donna Tartt's second novel and the follow-up to her phenomenally successful and assured debut The Secret History, was rushed out. But was it worth the wait? Write about what you know is an old adage and much of the appeal of her first book was that its sense of place--an exclusive New England campus was clearly and so adroitly drawn from intimate experience. Here, the Mississippi-born Tartt utilises, piercingly on occasions, the American landscape of her own childhood.

The Cleves--Charlotte, Grandma Edith, Great Aunt Adelaide, Aunts Libby and Tat--are a southern family of noble stock but, by the early 1970s, diminished numbers and wealth; haunted by the motiveless, unsolved murder of 9-year-old Robin, "their dear little Robs", a decade earlier. (The novel opens, a la Bunny's corpse in The Secret History, with his body found hanging from a black-tupelo tree in the garden: "the toes of his limp tennis shoes dangled six inches above the grass.") Harriet, Charlotte's youngest child, "neither sweet nor pretty" like her sister, Allison, but "smart" was a baby when Robin died. Now a precocious, bookish pre-teen, she is convinced she can unravel the mystery of his death. Her chief suspects are the Ratliffs, a local clan of speed-dealing ne'er-do-wells, one of whom, Danny, had been in Robin's class. (The Ratliffs own sorry histories, and in particular the corrosive influence of matriarch Gum, are tidily juxtaposed throughout the book with the varying fortunes of the Cleves.) Harriet enlists Hely, her willing schoolyard disciple, to help investigate.

For a while the novel takes on a positively Nancy Drew-esque hue; Harriet and Hely the spies, sneaking into buildings, making off with poisonous snakes and escaping from drug-addled trailer trash on bicycles. In a significant departure from The Secret History though, Tartt does not seem unduly concerned about plot and, or, pacing. She's interested in characterisation and the bickering aunts and so many of the minor characters, the odious car dealer Mr Dial, for example, "all rectitude and pickiness, sweet moral outrage itself", are realised wonderfully. This isn't to say it's not well plotted; it is, as the dénouement eventually reveals, but it is rather languid and things can get a bit soggy midway. (Overuse of the adjective "stolidly", a word that unavoidably, if quite erroneously, calls to mind heavy fruitcake, doesn't really help either.) Tartt's Southern Gothic saga may lack the page-turning thrill of her last novel but it's, ultimately, a no less impressive or rewarding work of fiction. --Travis Elborough --This text refers to the Hardcover edition.

"deeply absorbing and breathlessly exciting as Ms Tartt once again faultlessly explores a time, a place and a murder." --This text refers to the Hardcover edition.

"Like Salinger and Heller before her, Tartt has became a cult figure." --This text refers to the Hardcover edition.

"Ms Tartt has pulled it off again." --This text refers to the Hardcover edition.

"A dark and troubling novel about childhood loss and revenge, The Little Friend finally hits shelves today." --This text refers to the Hardcover edition.

"gorgeous, fluent, visual; erudite but never distracting.’’ --This text refers to the Hardcover edition.

"Compulsive, page-turning stuff and is beautifully crafted." --This text refers to the Hardcover edition.

"Tartt may have left out the quotations from Sophocles, but there's more than enough chaos, death and remorse to fill up your average Greek tragedy." --This text refers to the Hardcover edition.

"her writing is simply magical." --This text refers to the Hardcover edition.

"Forget the hype and the spiteful reviews, this is deductive thrilling storytelling at its best." --This text refers to the Hardcover edition.

"an absorbing story of sorrow, loss, guilt and evil." --This text refers to the Hardcover edition.

Although the Cleves generally revelled in every detail of their family history, the events of 'the terrible Mother's Day' were never, ever discussed. On that day, nine-year-old Robin Cleves, loved by all for his whims and peculiarities, was found hanging by the neck from a rope slung over a black-tupelo tree in his own garden. Eleven years later, the mystery - with its taunting traces of foul play - was no nearer a solution than it had been on the day it happened.This isn't good enough for Robin's youngest sister Harriet. Only a baby when the tragedy occurred, but now twelve-years-old and steeped in the adventurous daring of favourite writers such as Stevenson, Kipling and Conan Doyle, Harriet is ready and eager to find and punish her brother's killer. Her closest friend Hely - who would try anything to make Harriet love him - has sworn allegiance to her call for revenge. But the world these plucky twelve-year-olds are to encounter has nothing to do with child's play: it is dark, adult and all too menacing. In Donna Tartt's Mississippi, the sense of place and sense of the past mingle redolently with rich human drama to create a collective alchemy. Here eccentric great aunts bustle about graciously despite faded fortunes and a child's inquiring mind not only unearths telling family artefacts, but stirs up a neighbourhood nest of vipers and larceny. THE LITTLE FRIEND is a profoundly involving novel which demonstrates how the imaginary life embraces what literature we read, what special places we inhabit and what kindred souls we recognize, to help crack open even the darkest secrets life has hiding for us. --This text refers to the Hardcover edition.

Donna Tartt is a novelist, essayist and critic.Her first novel, THE SECRET HISTORY, has been published in twenty-three languages. --This text refers to the Hardcover edition.