This is a great addition to the Lloyd Webber catalogue and deserves to be on the shelf of any Muscials fan. It's easy to see why it never made it to the stage when it was written - why would the West End need another 'Oliver'-esque musical. But forty years later it sounds fresh and is a real pleasure to listen to. Unlike the aformentioned 'Oliver' the piece is generally one of pleasure and there are few moments of sadness, and the songs are quite spirited! The title song is melancholic but never does it stir the same deep emotions that you get when listening (or watching) Oliver, but saying that, the ensemble pieces are fun and evoke the same satisfaction as the company numbers in 'Oliver'.
Anyway, 'Oliver' aside, the music is more reminiscent of 'Joseph' than any of the other Lloyd Webber musicals, and this is where we see the genius of the Lord LLoyd Webber. Those who are familiar with his musicals are aware that the sound-worlds created for each musical is exclusive to that piece. There are critics that would argue that his tunes sound the same but that's simply not true. You couldn't take a song out of 'Aspects' and stick it in the middle of 'Starlight' for example. And OK, two of these tunes resurface in other works (one in By Jeeves and another in Song & Dance/Variations) but I imagine Lloyd Webber/Rice probably thought that this show would never see the light of day!
But what lovely music it is. It suggests the music of Richard Rodgers (Lloyd Webber's hero) more than any of his other songs (OK, except All I Ask Of You perhaps) and I remember how when I first listened to the Overture, I imagined a full Orchestra playing an Overture for an old classic musical!
Love Is Here and A Strange And Lovely Song are instantly likable, and the commentary by Stephen Fry enhances the performance (although, after a while you just want to listen to the songs!) and the CD comes HIGHLY recommended!