- Paperback: 496 pages
- Publisher: Penguin Books Ltd (14 Dec 2006)
- ISBN-10: 0141028688
- ISBN-13: 978-0141028682
- Product Dimensions: 19.4 x 12.2 x 3.4 cm
- Average Customer Review: 3.8 out of 5 stars See all reviews (47 customer reviews)
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A secluded island off the Cornish coast, renowned for its history of bloody piracy, has become a retreat for under-pressure men and women in the upper echelons of society. But when one of their number is murdered in a grotesque fashion (his body found on the eponymous lighthouse), Adam Dalgliesh is requested to solve the case, but with maximum discretion. However, it is not a good time for Dalgliesh and his team: he himself is going through a fraught period with the woman in his life, Emma Lavenham, while DI Kate Miskin is struggling with similar upheavals in her life. And their Anglo-Indian associate, Francis Benton-Smith, has his own problems in regard to working with Kate. Nevertheless, the team make progress on the island, until a second savage murder threatens to bring chaos.
It's easy to underestimate James achievement with Dalgliesh and co. So often, long-time series characters betray signs of their authors growing disinterest, but James has always managed to find new nuances to ensure that we never tire of her cultivated copper. And there's pleasure here in seeing familiar themes orchestrated with such finesse: the difficult, combative figure who alienates a host of people (and thereby set themselves up as a candidate for murder) and, best of all, the cloistered setting -- often a cliché of the genre -- but here, treated with freshness and imagination. --Barry Forshaw --This text refers to the Hardcover edition.
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Combe, a lonely island off of the Cornish coast of England, where senior VIPs from all over England's aristocracy come to convalesce, is the site of a horrible murder of the acclaimed writer, Nathan Oliver. The British government wants to use the island as a place for an important conference in a few months, so they call in Commander Adam Dalgliesh to solve the murder as quickly and efficiently as possible. He brings his assistant, Detective Inspector Kate Miskin, and his new Sergeant, Francis Benton-Smith, to help him. Motives abound for most of the guests and staff on the island, and it's up to Dalgliesh to find the truth before anybody else happens to fall victim. This is complicated by a disease outbreak, one that brings Miskin to the fore, and tests her resolve as well as her investigative talent.
It's not that I didn't enjoy The Lighthouse. In fact, I raced through it as I was wanted to know what happened. Even in James' worst books, her grasp of interesting character interaction makes her a joy to read. However, that's not quite enough to save this plot that is much less intricate than I'm used to from her, solved in an apparent revelation by Dalgliesh when he's lying ill. James spends almost a quarter of the book introducing us to the characters on the island, setting up the murder, and giving us all the different motives for the various characters. Being a big fan of Dalgliesh in action, this sequence started to really drag, saved only by James' mastery of her characters.
My understanding from the last two books (which I haven't read) is that James is really starting to get into the personal lives of her main characters, which explains the rather lengthy prologue introducing Dalgliesh, Miskin, and Benton-Smith, as well as giving us as some aspects of their latest love affairs as they get ready to go to Combe. While these events are briefly referenced by various thoughts from these characters while they're investigating, only Dalgliesh's romantic life actually has any bearing on the story, and no bearing on the mystery itself. I like hearing about the personal lives of the main characters (that's one thing I like about Elizabeth George), but getting this much information from James was something I wasn't used to. Given the nature of the mystery and the almost perfunctory way that it's solved, I feel like James shortchanged the mystery in order to get this personal information, which is a shame.
On the positive side, though, I have to repeat my love for James' prose and her character work. While I was getting a bit tired of hearing the various female characters having their bustline highlighted in their character description, that was my only fault with it. Dalgliesh is again a wonder to behold, always calm even while his romantic problems sometimes take his thoughts elsewhere, leaving his insides in turmoil. Kate Miskin really comes into her own in The Lighthouse, and I really enjoyed reading about her. She's saddled with a bit of unrequited love of Dalgliesh (something that I'm glad isn't really dwelt on much), but she also greatly respects him, and when she has to take over, she has momentary doubts. She's quickly able to put them aside, though, and it's interesting how she puts her own stamp on the investigation even as she's often wondering what Dalgliesh would do.
The characters on the island are also well done. If I didn't feel it had detracted from space devoted to Dalgliesh and the solving of the mystery, I would have enjoyed the opening quarter of the novel even more. Even as I was chomping at the bit for Dalgliesh to arrive, I found myself sinking into the story of these people on this island, the various relationships and how they all fit together. There are enough red herrings to feed a dolphin, but they're all wonderfully set up by this sequence that leads up to the murder. None of them really annoyed me, and there wasn't one character that I wished James hadn't created, or that I wished she would kill off so I wouldn't have to read about him/her.
One minor bit about the ending did annoy me slightly. Miskin is suddenly saddled with a small romantic entanglement that comes out of nowhere during the epilogue (not even the main story). It's quickly and easily dealt with, as even the character himself realizes that nothing can ever come of it. Is James serializing her novels now, and this will lead somewhere? I truly doubt it, which makes it even more annoying that it rears up out of nowhere. It was unnecessary, especially given her already complicated romantic life.
The Lighthouse is a good mystery, don't get me wrong. Fans of mysteries with interesting characters will love it. However, it's not the best P.D. James out there, and it pales in comparison to some of her better ones (Shroud for a Nightingale is by far her best). James fans will probably enjoy it, but be left a little wanting.
David Roy
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