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This is very readable, yet detailed and fair. Biographies tend to either be hagiographies or character assasinations, especially of larger than life characters such as Meek. But Repsch steers clear of making much of easy targets such as Meek's sexuality or his depression and suicide. He concentrates on the music and career with insights into the troubled life that created them. The discography at the back might need updating now, with the later Meek discoveries being released on C.D., but for a chronicle of his chart career it's invaluable.
I bought this book having just watched Telstar, the amazing film about the life of Joe Meek. I adored the film and naturally wanted to search out more on the fascinating subject of Joe Meek. I knew very little about the man himself, despite the fact I'd heard of several of his proteges and songs.
I was not disappointed with this purchase. Far from it, it kept me enthralled all the way through. An absolutely brilliant account of a legend whose genius was, sadly, not revered at the time. I know the terms 'legend' and 'genius' are overused in this day and age, but Joe Meek was, and in my opinion still is, a genius and legend. He pioneered the sounds that are taken for granted today and yet he did it on a very low budget and in a bedroom above a shop. He had help along the way, none more so than from another legend, Geoff Goddard, who wrote some fabulous music that even then was criminally underrated.
This book doesnt cover up what Joe Meek was, rather it glories in the fact that Meek was a genius and stunningly brilliant at what he did, even from a very young age. Rooms full of equipment to make different noises, even at his parents' home in Newent. His struggle against the very straight-laced 'scientists' who were producing flat-sounding records back in the late 50s, early 60s - his needing to rebel against this brought us wonderful sounds such as the gorgeous Telstar, and the violin-laden, echo-y sounds that typified the Meek sound.
It doesnt cover up his homosexuality and Meek's struggle to come to terms with this; it portraits it starkly in black and white, particularly his predatory advances to the young lads calling round wanting to be pop stars. For all that, Meek does come across as a character not to be pitied but to be sympathised with....
I kept having to put it to one side because I truly didnt want to finish reading the book. Sadly, I did so today. It will not be long before I pick the book up again. I cannot recommend this highly enough for anyone interested in music, or even just those interested in intriguingly enigmatic legends.
Eagerly awaited by thousands of Meekophiles, the reprint has finally arrived. Let's put the big glasses on and see what's on offer...The text is largely the same as the original book which is fascinating, but there are extra pictures and a new discography of releases since Meek's death. The cover is also different with a strange colour shot of Mr Meek. The interest in Meek has grown in the last few years, and fans have sought the original book unsuccessfully. I recommend this book, and warn that with a print run of 2000,it will become as sought after as the original print-run.
If you want a flavour of the Joe Meek story, this is a good peice of it.I enjoyed the book,which gave me many more insights into the story, I thought I knew. Excelent!
Very interesting book, describing the life of a genius from a bygone era. Fascinating insight into his life and work. Amazed by the contacts and missed opportunities he'd had. Well worth buying.
When I re-watched the film Telstar, I couldn't help thinking some of the incidents were a bit far-fetched, even for someone as strange as Joe Meek. However, when I went back to the book, I realised that the film is not just based on the book, but is a very faithful adaptation of it. As the book appears to be based on extensive research , including interviews with most of the main protagonists, I assume it is largely true.
The Telstar Man is an absorbing and well-crafted evocation of one of pop's oddest Svengalis. Repsch paints the picture of a driven man who achieved the fame he wanted, but only in patches, and ultimately crashed and burned. He shows in detail how Meek achieved his success by a bewildering mixture of studio home-grown wizardry and head games which veered wildly between charm and hysteria.
Meek is compared, briefly, with two of his contemporaries with their own demons to fight, Brian Epstein and Phil Spector. He was one of the many who turned down the Beatles, later (with the bitterness of sour grapes) ridiculing them as churning out "matchbox music", and he was so paranoid that Spector would steal his ideas that he refused to answer his phone call. Repsch makes a brief but telling comparison between Spector and Meek; Spector had a very low output, honing each production in search of perfection and achieving an incredibly high proportion of hits, whereas Meek let a thousand flowers bloom, always assuming that his next track would be another Telstar....
Repsch takes pains to give a detailed view of the support network which enabled Meek to flourish: the two who stuck with him to the end, his faithful PA Patrick Pink and (fatally for herself) his long-suffering landlady Violet Shenton; his co-writer Geoff Goddard; his excellent house band The Outlaws; his business partner Major Banks, and many others.
Justifiably, the book gives a lot of coverage to the good-looking but untalented Heinz, and the effort both business and personal which Meek squandered on him. ( On checking youtube, I found only one live clip of Heinz, doing a mediocre performance of C'Mon Everybody, but to my amazement it's from the epic 1972 Wembley Stadium Rock'n'Roll concert, which I attended - but I don't recall him.) Repsch diplomatically has only one veiled sentence hinting at a sexual relationship between Meek and Heinz, whereas the film goes a bit further - virtually its only deviation. There is more on Meek's sexuality in general, including his conviction for cottaging. (Like Epstein, he had the misfortune to be gay just before it was legal, but unlike Epstein had no PR machine to protect him.)
Repsch is clearly a fan, and although he devotes a lot of pages to Telstar, Meek's biggest seller, he reserves the most praise for Johnny Remember Me, which I have loved ever since its release. (So I would agree with him,wouldn't I? ...)
I recommend this book to anyone interested in pop history. One of the less obvious attractions is the story of how Meek so nearly succeeded as the first of the industry's independents. However, you should also investigate the music itself, beyond the obvious hits, to experience more of Meek's wacky musical universe.Read more ›