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The Last Thing He Wanted [Paperback]

Joan Didion
5.0 out of 5 stars  See all reviews (1 customer review)

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Product details

  • Paperback: 216 pages
  • Publisher: Flamingo; New edition edition (17 Nov 1997)
  • Language English
  • ISBN-10: 0006547508
  • ISBN-13: 978-0006547501
  • Product Dimensions: 18.6 x 12.8 x 1.8 cm
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Bestsellers Rank: 1,397,303 in Books (See Top 100 in Books)

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Joan Didion
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Review

‘The centrality of The Last Thing He Wanted is not a person, nor even an event, but the tone of the US in 1984. The technique of writing is, as usual, unique, an incantation with repetitions and rhythms to entrance the reader, meant to restore full weight to a language made weightless by misuse… I should perhaps also mention that I read it twice for pure delight before reading it for review.’
Veronica Horwell, Guardian.

‘Fast-paced, witty, inventive… The Last Thing He Wanted is a creation of high seriousness, a thriller composed with all the resources of a unique gift for imaginative literature.’
Elizabeth Hardwick, New York Review of Books

‘An impressive, fast-talking, hard-boiled, wise-cracking, tough-guy of a novel.’
Philip Hensher, Mail on Sunday

Product Description

The first novel in over a decade from perhaps the most admired writer in America.

It is 1984. Journalist Elena McMahon, watching her evasive, gruff father’s life ebbing away before her, clutches at understanding him to grasp little more than air. But harder, keener forces impel her to do his bidding, to go naked into a ‘situation’ in Central America, ‘because things were hotting up again’…

A literary masterpiece.


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Most Helpful Customer Reviews
By John P. Jones III TOP 500 REVIEWER
Format:Paperback
Joan Didion, author of Slouching Towards Bethlehem (FSG Classics), and several others, is one of America's most incisive contemporary novelists. She wrote this novel in the late `90's; the setting is in the previous decade, and concerns the actions of a few individuals working in conformance with America's unofficial policies of maintaining pliable power elites in the countries of "mare nostrum," the Caribbean. When "the cover" was blown on some of the most egregious of these actions, in the `80's, the media adopted the label "Iran-Contra" for them. That label covered the selling of arms to Iran, America's purported enemy of the time (and still?), and channeling the proceeds to fund the "Contras," call them rebels, terrorists or freedom-fighters, take you pick based on your political persuasion, who were trying to overthrow the government of Nicaragua, run by Daniel Ortega and the "Sandinistas." Ortega was "unfriendly" to the interest of America's power elites, which all too often means giving a fair shake to the non-power elites in his own country.

Didion's novel is a depiction of that dark underbelly of American foreign policy (for sure, carping about "human rights" plays no part) "necessary" to maintaining "friendly" governments. There are the machinations of the CIA; there are the "free-market" hustlers that are the arms dealers, still hoping to draw that card so high and wild they'll never have to deal another. There are the surreal conversations about the market falling on the price of anti-personnel mines (`69's) from three dollars to two, each. There is the complicity of our embassy personnel in all these activities, the clock and dagger actions that take place in transit lounges, the crosses and double-crosses. There is Treat Morrison, drawn to the action for the adrenalin rush, with a chip on his shoulder for the "Harvard guys who never listen." There is the pony-tailed guy "on his way home from Angola" who was once in the 25th Infantry Division, "Tropic Lightning." And there is the principal character, Elena McMahon, who as a journalist walked away from covering the '84 campaign, and got sucked into helping dad close his "million dollar deal." Overall, a real "witch's brew."

And the author demonstrates such deft mastery in handling this "witch's brew." Her prose is lean. She "backs and fills" her story, a foreshadow here, a reminder there where the pieces of her tale are. She has an uncanny ear for dialogue, capturing the essentials to reveal character. She maintains dramatic tension throughout, of a "thriller" variety, but with far more insights. I'm amazed that she has drawn some 1-star reviews, which only proves she is not for everyone. She has famously embraced much of what is referred to as a "southern California lifestyle," yet is a critical observer not only of that "scene," but ones seemingly far removed, including the inner working of government, whose "players" value opacity, and speak in the conditional mood, or, as she says: "...entire layers of bureaucracy dedicated to the principle that self-perpetuation depended on the ability not to elucidate but to obscure."

Comparisons with Graham Greene are more than appropriate, particularly the character Alden Pyle in The Quiet American: Centenary Celebration 2004. Consider: "Not dishonest in the sense that he `lied,' or deliberately misrepresented events as he himself construed them...but dishonest in the more radical sense, dishonest in that he remained incapable of seeing the thing straight." On the other hand, a jab at fixating on the wrong historical analogy: "After that you move past it. You know who the unreported casualties of Vietnam were? Reporters and policy guys who didn't move past it." And, apocryphal, or no, loved her jabs at the Rand Corporation, with their "the Del," that is, the Delphi Method, for predicting future events, and even the study group on "Ap Tech--Uses and Misuses" (i.e., no technological transfers to the Third World since they wouldn't understand them!)

It is another great work from Ms. Didion. A great "thriller," yes, but far more so, probably more "truth" about Iran-Contra, one more aspect of America's "bad faith" dealing with Latin America, than we will ever get from 10 Congressional investigating committees. It was a wonderful re-read; 5-stars plus.

(Note: Review first published at Amazon, USA, on February 07, 2011)
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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:  15 reviews
14 of 15 people found the following review helpful
Momentous Events Writ Small 12 May 2001
By Ricky Hunter - Published on Amazon.com
Format:Paperback
Joan Didion's The Last Thing He Wanted is a mysterious, gentle little book that ultimately is quite sad. Elena McMahon does a favour for her father and through that favour and through her we see the large unfathomable world of conspiraces and esponiage boiled to very human elements. There is a cold spareness to the writing that left this reader unmoved until after it was over and then the sadness powerfully washed over me. It is an unique and haunting look at the choices people make and the lives and events that one can affect with simple, irrevocable gestures. A beautiful novel.
12 of 14 people found the following review helpful
Slouching Towards Reaganism 15 Mar 1998
By A Customer - Published on Amazon.com
Format:Paperback
I'm a fan of Didion's pitch-perfect deadpan prose, but if you aren't, there are other joys in this novel. It offers a post-Orwellian assessment, in human, personal terms, of 1984, with a particular focus on the Fourth of July on an unnamed Caribbean island. Along with Don DeLillo's "The Names," Didion's novel is a masterpiece of American paranoia. It offers a dark yet plausible scenario of the collapse of American democracy under the weight of expansionist ambitions, mass media, and the stunning sang-froid of the silent majorities. A bit confusing at times, the novel is psychologically (and syntactically) complicated but apparently well researched--it is also very confrontational, relentless in its outrage and hopelessness.
10 of 12 people found the following review helpful
A way with words... 31 Dec 2000
By "hchomann" - Published on Amazon.com
Format:Hardcover
I bought this novel from a bargain bin (because of the cover design), put it on a shelf, and didn't open it for over a month. When I finally picked it up, I read only twelve pages before I grabbed my highlighter... The writing style is deceptively simple and highly structured--breathtaking, actually. And the story is fantastic (and well told). Highly recommended.
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