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We are back with profiler Tony Hills and super-competent cop Carol, who we met in The Mermaids Singing and The Wire in the Blood. The couple's past experiences have created a bond between them as well as a certain inability to bear the sight of each other. They are brought back into co-operation by the needs of the job in its European dimension. Tony is persuaded to help track a European killer who drowns and mutilates psychologists, while Carol is working undercover to trap a drug trafficker whose dead lover spookily resembles her.
As always, McDermid writes brilliant criminals. She adds that deadening of sympathy which makes horror possible. Both aristocratic gangster Tadeusz and vengeful psychotic Mann have their reasons for being who they are, doing what they do. McDermid makes us care that her detectives succeed and survive just that little bit more than we care for her villains to escape. She writes excellent thrillers simply because she has a journalist's eye for both sides of each case. --Roz Kaveney --This text refers to an out of print or unavailable edition of this title.
'Val McDermid is one of the few crime authors who can be convincing when it comes to 'writing tough' yet retain a powerful emotional insight… McDermid is doing something quite extraordinary with the crime fiction suspense thriller' Scotland on Sunday
'This is a hugely ambitious novel, involving three police forces, of which the British seem to be the most Machiavellian' Express
Praise for Val McDermid:
'Val McDermid is a roaring Ferrari amid the crowded traffic on the crime-writing road' Independent
'McDermid has become our leading pathologist of everyday evil… The subtle orchestration of terror is masterful' Guardian
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How these two disperate stories are woven together is the genius of Val McDermid, her writing getting stronger by the book. This is the third Tony Hill/Carol Jordan book and, with the Wire in the Blood soon to be on our TV screens, she is soon to be catapulted into Rankine status.
What McDermid brings is a truly gruesome modus operendi, matched by a credible pyschological reason for the disturbed mind behind it. She creates not monsters, but damaged characters who are all the more scary for it.
Tony Hill and Carol Jordan use professional detachment to avoid intimacy; their struggle against their emotions rumbles like a volcano beneath the major plot lines. The closer they get together the more they put themselves at risk. The risk is not just that they might have to reveal vulnerable aspects to one another, but that this "weakness" will be exploited by some very nasty characters indeed.
Powerful, dark and gripping, The Last Temptation is not for the nervous. It will make you think and it will lose you sleep.
Firstly, the undercover side was all well and good, but it dominated the plot far too much. and as a result what was actually a really decent premise of a serial killer plot was left as a secondary plot and remained slightly underdevloped. I simply did not care to read a novel dominated by Carol going under cover. It wasn't that it wasn't interesting, it was just that i would really have preferred (as i think another reviewer has said) much more concentration on the serial killer aspect. I would rather have had the entire book about the serial killer, as it had superb possibility and potential, but she failed to bring it out. Actually, i am very disappointed. I was expecting a lot more. A tense serial killer thriller, when instead i got a novel about someone going undercover to catch an underdeveloped and not at all menacing villain. It's a great shame. had she concentrated a lot more on the other aspect of the plot, then this book may well have turned out as one of her best. And even though i am extremely disappointed, i can still say that a disappointing Val McDermid book is still much better than anything else currently on the market. Hence the four stars.
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