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The book draws on themes topical and perennial--the hothousing of children, the familiar literary trope of the quest for the (absent) father--and as such, the book divides itself into two halves: the first describes the education of Ludo, the second follows Ludo in his search for his father and father figures. The first stresses a sacred, Apollonian pursuit of logic, precise (if wayward) erudition and the erratic and endlessly fascinating architecture of languages, while the second moves this knowledge into the preterite world of emotion, human ambitions and their attendant frustrations and failures.
This is a book about the pleasure of ideas, of the rich varieties of human thought, the possibilities that life offers us and, ultimately, about the balance between the structures we make of the world and the irredeemable chaos that the world proffers in return. Stylistically, the novel mirrors this ambivalence: DeWitt's remarkable prose follows the shifts and breaks of human consciousness and memory, and captures the intrusions of unspoken thought that punctuate conversation, while providing tantalising disquisitions on, for example, Japanese grammar or the physics of aerodynamics. The Last Samurai is a remarkable, profound and often very funny book. "Arigato DeWitt-sensei"--and after reading this, you'll want to look it up too. --Burhan Tufail --This text refers to an out of print or unavailable edition of this title.
Sybilla is the hard-working, single mother of Ludo, a 6-year-old genius who gobbles up even the most complicated subjects, seemingly overnight. Despite his precocity, however, Ludo is a very engaging and in many ways, typical, child, and the relationship between mother and son is mutually warm, respectful, and endearingly protective. Both Sybilla and Ludo are fans of Akira Kurosawa's The Seven Samurai, and this forms the framework of the novel when Ludo decides to test seven fascinating and brilliant men Sybilla has known to see which, if any, of them might be his unknown father.
This book has everything. It is funny and sad and disarming and challenging--simultaneously amusing and poignant, and thought-provoking. The many layers which emerge as Ludo engages in his quest should keep readers, critics, and book clubs intrigued and entertained for years. But the book is at heart an absorbing human story--of identity, of aspirations and achievement, and, ultimately, of the love and connection which makes our personal journeys worthwhile. A wonder-filled achievement from beginning to totally satisfying end. Mary Whipple
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