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| 1. A Way of Life |
| 2. Spectres in the Fog |
| 3. Taken |
| 4. A Hard Teacher |
| 5. To Know My Enemy |
| 6. Idyll's End |
| 7. Safe Passage |
| 8. Ronin |
| 9. Red Warrior |
| 10. The Way of the Sword |
| 11. A Small Measure of Peace |
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The Last Samurai, a movie by Edward Zwick, tells the story of a broken and depressed officer who is paid to train the Japanese emperor's soldiers in order to destroy the remaining samurai but is instead caught by the samurai. Interestingly, his life was spared and as he begins to learn the ways of the samurai he learns to become them. All that, and the fact that it is an Edwark Zwick film, points not so much to an action story but to a contemplative drama with action scenes in it. This leads to a score that does not contain as much pounding action music as one would be led to expect.
What Hans Zimmer brought to the score are the depressively haunting ethnic quality of Beyond Rangoon, the intensely contemplative mood of The Thin Red Line and the sense of despair of Pearl Harbor, plus some use of oriental musical instruments, e.g. the inevitable taiko drums for the action scenes.
The score contains a lot of music that makes you 'feel' rather than be excited. If you have enjoyed previous Hans Zimmer scores as mentioned above, don't hesitate to get this too.
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