1935's The Last Outpost is a typical example of the kind of colonial romantic hokum that was popular in the Golden Age. Set in the backwaters of the First World War, Cary Grant is the British armoured car officer saved from a Kurdish firing squad by Claude Rains' secret agent only to fall for the nurse who tends his wounds on his return (Gertrude Michael) who - naturally - turns out to be Rains' wife. Rains tracks Grant down to a deserted fort, but before he can kill him the `Fuzzies' attack in what looks like footage from one of the silent versions of The Four Feathers, and the two men have to team up to warn the relief column before they can be massacred...
So, no surprises, but it's a swift and efficient potboiler that keeps moving even if Grant and Michael don't burn the screen up in their scenes together, leaving Rains to provide most of the film's charisma in the first half before jealousy drives him mad (though his love scene with Ms. Michael might have that effect on you as well). An unbilled Akim Tamiroff makes a strong impression as a doomed Russian officer who briefly shares a cell with Grant too, but sadly the use of large amounts of stock footage from silent documentaries and forgotten features that are played at the wrong speed makes an even bigger one. It was as commonplace to speed up action scenes in the 30s as it is to overedit them like an MTV video today, but even by the standards of the day it turns what was once impressive footage into unintentional comedy. Extremely minor and disposable studio product, then, but at under 80 minutes a quick and easy watch even if Universal's Region 2 PAL DVD looks like a lazy standards conversion from NTSC.