Arthur Ransome - Swallows and Amazons. Go together like a horse and carriage don't they? Job done, well not quite: This book suggests that "celebrated children's author" was only the latter persona of many that Ransome adopted through his life.
If the author is to be believed, Ransome spent most of his life trying to please a long succession of heroes (many of whom were left-wing inclined creatives such as writers and artists). In each effort to please his latest hero he more or less reinvented himself and very often took steps to erase the paper trail of his previous incarnations. This erasure was mostly carried out, not because there was something to hide, but to make the reinvention more convincing and complete. Throughout this book you can sense Roland Chambers' frustration at how fragmentary the trail sometimes becomes. This perhaps increases the perception that Chambers really didn't like his subject very much?
I came away from the book wanting more evidence that Ransom had lived his life in this fashion, but of course the very mode of such a life must mean that direct evidence of how it was lived (diaries and so on) is thin on the ground. So it's no discredit to Mr Chambers that I came away with such a feeling, in fact I'm pretty sure he shares it. The fairly extensive use of Ransome's own autobiography is - throughout this book - heavily hedged around with scepticism that is often, but not always, justified by citing conflicting evidence.
I finished the book without a clear of idea of a consistent Arthur Ransome. The kindly old author who turned out Swallows and Amazons and its many sequels and spin offs is clear enough, but it is suggested that this was merely a front for a much less graspable character underneath - The "Swallows and Amazons" phase Ransome was, it is suggested, just a shell that some other creature wore.
As for Ransome's earlier life: We're told that an abandoned academic career seems to have been caused, in part, by his non-engagement with his teachers (except for just one). Then, the premature death of his father meant he had to and seek alternative role models and abandon school to find work.
He initially found work as a gopher in a string of London publishing firms. This work gave him contact with Eastern European émigrés living in London. These, in their turn, gave him the ability to go to live in Russia around the outbreak of WWI and on into the time of the revolution. During this turbulent period he seems to have been able to remain as everybody's friend and to have remained a neutral in all senses - again this is according to his own somewhat unreliable testimony. There are other versions.
Perhaps due to his self-reinvention habit, Ransome seems to have been able to stay in good stead with both sides of the revolution and the war. He seems to have kept this up as things settled down during the early 1920s and the communist state needed to be spied upon by the Western powers. But, again, a lot of this is surmise, hearsay and gossip - apparently Ransome's not telling!
By the 1940s the British state was deeply suspicious of him when he returned home, yet they never charged him with anything. There followed a short interval during which he again shed his skin, reinventing himself as a children's author.
He wisely did what all authors do best, he wrote about what he knew and what he valued. He combined the English lake lands with thinly disguised versions of members of his extended circle of family and friends (much to the fury of some of them) into "Swallows and Amazons". When the book was a huge hit, he kept on repeating the recipe for many years with enduring success.
And yet, and yet, Ransome was not only the children's author he appeared to be, he was also other people. This book shows quite convincingly that it was hard or perhaps impossible to know who he really was - even for him. The book doesn't make the case in a neutral way, that's for sure, but nevertheless it makes a convincing case.
I came away from this book thinking that Ransome was rather like Peter Sellers - who was also intentionally impossible to know. They both seem to have been quite savage to anyone who got too close. This suggests that they either did not know themselves and were afraid to reveal that fact, or maybe they knew, but didn't like, their "real" self and wanted to keep it completely hidden?
As the book suggests, it may be best that we put these strangenesses to one side, and just revel in our enjoyment of Ransome's work. Sometimes that is a better alternative than trying to get behind the mask of the author.