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Track Listings
| 1. Stigmata (Album Version) |
| 2. The Missing (Album Version) |
| 3. Deity (Album Version) |
| 4. Golden Dawn (Album Version) |
| 5. Destruction (Album Version) |
| 6. Hizbollah (Album Version) |
| 7. The Land Of Rape And Honey (Album Version) |
| 8. You Know What You Are (Album Version) |
| 9. I Prefer (Album Version) |
| 10. Flashback (Album Version) |
| 11. Abortive (Album Version) |
Product Description
11 TRACK IMPORT ALBUM
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Customer Reviews
Most Helpful Customer Reviews
17 of 18 people found the following review helpful
Format:Audio CD
This is a fantastic album - if you've ever been to a Rock/Industrial/Goth club and just stuck your head in the speakers you will utterly LOVE this. I have broken no less than 3 pairs of glasses just to the best track on the album - "Stigmata". The rest of the album rocks too - especially "Flashback", "Hizbollah" and "Deity". If you listen to this you won't want to listen to another album all week - which is lucky, 'cos you probably won't be able to.
Happy moshing!
7 of 8 people found the following review helpful
Format:Audio CD
This is the album that changed rock and industrial forever. When did Front 242, Skinny Puppy etc start using guitars? After hearing this album. My personal highlight is 'Deity', which is the most perfect tune ever! This is where dance music wishes it was now, not to mention what it has trying to do for years.
'Stigmata', 'The Land of Rape and Honey', need I go on? Watch 'In Case You Didn't Feel Like Showing Up', listen to the tracks from this CD played on that video and see if you can deny the impact of this album on the world. Devestating!
'Stigmata', 'The Land of Rape and Honey', need I go on? Watch 'In Case You Didn't Feel Like Showing Up', listen to the tracks from this CD played on that video and see if you can deny the impact of this album on the world. Devestating!
Format:Audio CD
Killing Joke industrial Gibson guitar template, reworked by the distorted production magical genius of Adrian Sherwood. This swirled and then gargled the found sounds around the room, creating forms of musical alchemy. This changed the industrial rock sound forever and was a landmark piece of music. The fact that the eventual derivatives were paler, albeit with more pronounced ferociousness than this multi facted album, has entailed this piece of sonic sculpture languishing. It exists however in its own right.
It is a landmark piece that launched Nine inch Nails and a whole ilk of industrial rock power music. It demarcated a time when America took the essence of punk and then reworked it to bring out wider facets. This took place in the 1980's and has since decayed.
Al Jourgensen, "Alien" to his friends, was a wimpy synth player, until he discovered the electric power of rock, a man who worked backwards from the kitsch and fey to the more masculine muscle rippling sounds of men at work rather than men in offices. This can appeal to both genres the unreconstructed kango man and the one that has been machine ground down on the edges who taps on keys. It has softer moments mixed in with the more raw power to bring out a muti toned piece. Later they became more guitar focused and lost the softer edges concentrating on hard dirge. This has power within the night, lighting a beacon.
Worth the effort to hear the production richochet around the room when blasted out loud. It has those singalonga moments before it blasts itself and rattles the cages.
It is a landmark piece that launched Nine inch Nails and a whole ilk of industrial rock power music. It demarcated a time when America took the essence of punk and then reworked it to bring out wider facets. This took place in the 1980's and has since decayed.
Al Jourgensen, "Alien" to his friends, was a wimpy synth player, until he discovered the electric power of rock, a man who worked backwards from the kitsch and fey to the more masculine muscle rippling sounds of men at work rather than men in offices. This can appeal to both genres the unreconstructed kango man and the one that has been machine ground down on the edges who taps on keys. It has softer moments mixed in with the more raw power to bring out a muti toned piece. Later they became more guitar focused and lost the softer edges concentrating on hard dirge. This has power within the night, lighting a beacon.
Worth the effort to hear the production richochet around the room when blasted out loud. It has those singalonga moments before it blasts itself and rattles the cages.
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