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The Lamplighter [Paperback]

Anthony O'Neill
3.3 out of 5 stars  See all reviews (6 customer reviews)

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Product details

  • Paperback: 320 pages
  • Publisher: Headline Review; New edition edition (2 Feb 2004)
  • Language English
  • ISBN-10: 0755303334
  • ISBN-13: 978-0732279783
  • Product Dimensions: 19.2 x 12.8 x 2.4 cm
  • Average Customer Review: 3.3 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Bestsellers Rank: 1,026,142 in Books (See Top 100 in Books)

Product Description

Review

'As terrifying as a child's nightmares - and as wonderful as waking from them' Kirkus Reviews -- Kirkus Reviews 'Stunning...O'Neill delivers one surprising denouement after another in this assured novel...By turns genuinely frightening, thought-provoking, and droll...it's an achievement worthy of Highsmith herself' Book Forum -- Book Forum 'It's a remarkable work, full of erudition and beautifully written. It's also the darkest thing I've read since Peter Ackroyd's HAWKSMOOR' Quintin Jardine -- Quintin Jardine 'O'Neill's chillingly atmospheric story of evil and the power of the imagination adds new terrors to the gothic, gas-lit depths of Edinburgh's past. Follow his tale through these streets only if you dare. You may not come back alive' Stephen Booth, author of Black Dog and Blood on the Tongue -- Stephen Booth '[A] spellbinding tale of a soul divided! O'Neill is a masterful storyteller' Publishers Weekly (starred review) -- Publishers Weekly 20030310 'From the imaginative and eloquent pen of the author of SCHEHERAZADE comes a wonderfully sinister story of evil intent and possession in Victorian Edinburgh: the tormented psyche of a young woman holds the key to murder and exhumation' Bookseller -- Bookseller 20030310 'Anthony O'Neill demonstrates considerable storytelling acumen in this sharply written, atmospheric novel' Publishing News -- Publishing News 20030314 'Part mystery, with the sleuthing seduction of Sherlock Holmes, part fantasy, with the skin-crawling horror of Jekyll and Hyde, but weighing in with the literary resonance of something more profound... A meticulous piece of narrative imagination. Accomplished, fluent and clever' Canberra Times -- Canberra Times 20030322 'Witty and dynamic! O'Neill is a grand storyteller, adept at evoking evil and playing with ambivalence' The Age -- The Age 20030329 'Altogether brilliant!O'Neill's novel is no mere whodunit. Lyrically written, it is a nuanced exploration of the power of imagination, and of the birth of evil out of the violation of innocence' Philadelphia Inquirer -- Philadelphia Inquirer 20030413 'An intriguing and genre-defying mystery which captures a sense of real evil and period atmosphere, both intellectual and geographic! A tightly managed fantasy that combines detective investigation with philosophical speculation. [O'Neill] is a skilled storyteller, with a firm control of his form and a love of richly evocative language. The unravelling of his mystery through the parallel investigations of his amateur philosophers and the dogged Groves is brilliantly done' Sydney Morning Herald -- Sydney Morning Herald 20030418 'A colourful novel fed by fine ideas and shocking bloodshed' Sunday Herald, Glasgow -- Sunday Herald, Glasgow 20030511 'O'Neill's verve never slackens. His narrative panache carries us nonchalantly over tests of our credulity. THE LAMPLIGHTER is poised, elegant, cheeky' The Bulletin -- The Bulletin 20030511 'Timeless and timely. O'Neill has a rare talent for at once frightening and enlightening readers. A chilling page-turner and a thought-provoking inquiry into the true nature of evil' San Francisco Chronicle -- San Francisco Chronicle 20030511 'Evocative and tightly-plotted, THE LAMPLIGHTER is an impressive novel which is unafraid to incorporate philosophical issues into its complicated plot. A very good historical thriller' Chichester Observer -- Chichester Observer 20030522 'His style conjures a fascinating city, and he peoples it with fascinating characters held in gothic suspense' Venue -- Venue 20030522 'A highly original historical thriller. The writer's Victorian backdrop is so infused with eerie atmosphere it is impossible to shake this work out of your mind' Big Issue in the North -- Big Issue in the North 20030522 'Anthony O'Neill's The Lamplighter, an awesome thriller set in Victorian Edinburgh. In terms of style alone, O'Neill's book is in a class of its own; in terms of atmosphere, it has a power redolent of Peter Ackroyd's Hawksmoor' Glasgow Herald -- Glasgow Herald 20030522 'A successful transplantation of the contemporary psychological thriller into a supernatural setting. O'Neill has come up with an intelligent, fluid, faultlessly written and totally convincing novel' SFX Magazine -- SFX Magazine 20030522 'O'Neill displays a great ear for dialogue, a fine sense of humour and an eye for the extra little details... When you read this one, make sure you arenot alone and that the lights are on' Globe and Mail -- Globe and Mail, Canada 20030705 'Anthony O'Neills impressively atmospheric debut is a rich mix of Gothic horror and period detective story' Mail On Sunday, 7/3/04 -- Mail On Sunday 20040307 'As terrifying as a child's nightmares - and as wonderful as waking from them' -- Kirkus Reviews 'O'Neill's chillingly atmospheric story of evil and the power of the imagination adds new terrors to the gothic, gas-lit depths of Edinburgh's past. Follow his tale through these streets only if you dare. You may not come back alive' -- Stephen Booth, author of BLACK DOG and BLOOD ON TH 'It's a remarkable work, full of erudition and beautifully written. It's also the darkest thing I've read since Peter Ackroyd's HAWKSMOOR' -- Quintin Jardine '[A] spellbinding tale of a soul divided! O'Neill is a masterful storyteller' -- Publishers Weekly 20030310 'From the imaginative and eloquent pen of the author of SCHEHERAZADE comes a wonderfully sinister story of evil intent and possession in Victorian Edinburgh: the tormented psyche of a young woman holds the key to murder and exhumation' -- Bookseller 20030310

Publishers Weekly

‘[A] spellbinding tale of a soul divided… O'Neill is a masterful storyteller'

Inside This Book (Learn More)
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First Sentence
THOMAS MCKNIGHT, Professor of Logic and Metaphysics at the University of Edinburgh, had certainly noticed the young lady busily taking notes in one of the rear benches, but he did not stop to contemplate the incongruity, the implications, or indeed to give it much thought at all. Read the first page
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Customer Reviews

Most Helpful Customer Reviews
1 of 1 people found the following review helpful
By Ian
Format:Paperback
I have just finished 'The Lamplighter' after many months of starting and stopping and finding much better books to read in between. It is a highly 'putdownable' book. Even when I was reading the final few pages, which were obviously intended to be climactic and exciting, I found myself looking at every page number and calculating how many more pages of this 'tosh' I had left to plough through.

Anthony O'Neill's desperate attempts to sound erudite give the impression that, in his mind at least, he was writing a work of literature; he wasn't. He wasn't even writing a half-decent thriller. The characters are so poorly portrayed and lifeless that the reader doesn't really care what happens to any of them. The plot is farcical. Possibly the only plaudits I can give are for O'Neill's well-researched portrayal of Victorian Edinburgh, although even that is, at times, clichéd.

Life is short and there are tens of thousands of better books to read. I wouldn't waste your time with this one. If you want a good, historical, murder mystery, Barry Unsworth's 'Stone Virgin' is much better than this.
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Damp squib 26 Jan 2009
Format:Paperback
I liked the idea behind this story, and the setting, and the writing. So why didn't it work for me? I think the main reason is that I remained uninvolved throughout - the characters seemed viewed from a distance, always just characters in a story rather than real people whose heads the author lets you inside. Also, I think there were too many points of view.

Not once was I even slightly scared. The introduction of the supernatural elements seemed clumsy and even, I'm afraid, a little comical. Towards the end I was skim-reading (something I hardly ever do). That being said, I did enjoy the writing in many of the scenes.
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5 of 7 people found the following review helpful
By Mary Whipple HALL OF FAME TOP 100 REVIEWER
Format:Paperback
The streets of Edinburgh in 1886 run with blood as a series of bizarre deaths and dismemberments, possibly by some huge wild animal, haunt the public imagination and send the police force into high dudgeon. A frail young woman, Evelyn Todd, is thought to be at the root of these horrifying crimes. Evelyn grew up in an institution in the mid-1860's, where the administrator reined in her imagination and punished her especially for the stories about a lamplighter, with which she entertained the other children.

An 1886, Evelyn, now in her twenties, comes under investigation for a series of murders. Evelyn has had vivid and revelatory dreams about each of the murders, though she insists that she has not been present; has no real, firsthand knowledge of any of the murders; and does not know about them ahead of time. The murdered men are all members of a secret society, the Mirror Society, whose membership also includes James Ainslie, Evelyn's "father." Of the murders, Evelyn says only that she believes them to have been committed by "the lamplighter."

In an unusual narrative twist to this Gothic and atmospheric novel, O'Neill employs two sets of characters to track Evelyn and ascertain her relationship to these murders. Carus Groves and his assistant, Pringle, are trying to solve the police cases involving the law and its penalties, while Professor Thomas McKnight, Professor of Logic and Metaphysics, and his friend Canavan are trying to solve the larger questions of who Evelyn really is, why she is able to see details of the crimes in her dreams, and whether she may represent the "devil inherent in all of us. A primeval instinct, a fundamental component of evolution."

Eventually, McKnight and Canavan follow Evelyn into Hades in an effort to rescue her from the devil they believe resides within her, and the reader is drawn into a metaphysical and theological debate regarding the nature of selfhood, the existence of evil, its connection both to the imagination and reality, and the extent to which mankind exercises free will in the desire to control outcomes. O'Neill uses the vocabulary of religion and the new perceptions which resulted from Darwin's Origin of the Species to try to explain those aspects of human nature which Freud and the psychoanalysts later developed into a new science at the turn of the century. O'Neill is a fine writer whose use of vivid verbs and lively description helps to animate this serious philosophical debate. The reader's job is figure out what is real and what is not, a task which is not as easy as it may seem in this complex and serious novel. Mary Whipple

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