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In Miller's shrewd vision, people don't always play nicely - but the worst turmoil occurs within. Her signature gift is to lay out intricate, discomfiting truths in graceful, clear sentences that never fail to engross and comfort...
The astute New York Times critic Michiko Kakutani has noted, of Miller's oeuvre, that Miller "suggests that people have a primal need to ... figure out who they really feel themselves to be and why they've made the choices that they have." Richly layered, these self-examinations drive "The Lake Shore Limited" to a subtle, piquant, satisfying closing. What seems oddly striking is the hushed quality all that interiority lends a drama generated, this time, by the external noise and chaos of an unforgettable September day.' --The San Francisco Chronicle
`Matthew Arnold said about Wordsworth's poetry that it had no "style," not to dispraise it but to distinguish him from other poets. Like her predecessor, Miller seeks and impressively succeeds in finding what Wordsworth called "a plainer and more emphatic language" to express "essential passions of the heart." Her art is to find those passions and that language' --The Boston Globe
`Miller's exquisite new novel, "The Lake Shore Limited," is so sophisticated and thoughtful that it should either help redeem the term "women's literature" or free her from it once and for all...This is emotional terrain some people won't feel comfortable in, but it's gorgeously drawn and told with stark honesty.' --The Washington Post
`By writing alternating sections of the novel from different characters' points of view, Ms. Miller not only conveys the subjectivity of all experience but also succeeds in creating a haunting chamber-music piece with many different solos.
The result is her most nuanced and unsentimental novel to date. This is a book that does not depend on big, noisy plot developments, topical issues or deliberately withheld secrets to create suspense. Rather, its power grows from Ms. Miller's intimate understanding of her characters... and from her Chekhovian understanding of missed connections, lost opportunities, and closely held memories that mutate slowly over time... Ms. Miller gives us a knowing meditation upon the acts of alchemy and theft that constitute an artist's work: a meditation that sheds light on her own craft, so meticulously showcased in this novel.' --Michiko Kakutani, The New York Times
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