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Events conspire to take her back to Burma, though, and The Lady then concerns itself as much with the separation of husband and wife as it does the political situation. That makes it a bumpy film, and sometimes an unfocused one. Yet Besson’s intentions are so strong, and his meticulous detail so obvious, that the film’s issues are easy to forgive. Furthermore, Michelle Yeoh clearly devoted herself to the lead role, comfortably giving the best performance of her career. David Thewlis? He’s excellent, too, as always.
There’s clearly a better film to be made out of the story of Aung San Suu Kyi, but that doesn’t make The Lady a bad one. What’s more, thanks to Yeoh’s magnificent central turn, even in its weaker moments, there’s usually something of interest happening. The Lady has problems, certainly, but it has some genuine ambition, too. --Jon Foster
My lasting memory of this film is not just the Lady, but more the Lady's family. As a work of art it is worth five stars. Read morePublished 5 days ago by Iain
Great way to get insight into a country that is not well known these days outside of South East Asia.Published 7 months ago by Trevor Geddes