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The Kiss Of Morning

Graham Coxon Audio CD
4.8 out of 5 stars  See all reviews (5 customer reviews)
Price: £13.00
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Product details

  • Audio CD (14 Oct 2002)
  • Number of Discs: 1
  • Label: Transcopic
  • ASIN: B00006L40A
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Bestsellers Rank: 88,460 in Music (See Top 100 in Music)

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
Listen  1. Bitter Tears 5:18£0.89  Buy MP3 
Listen  2. Escape Song 2:26£0.89  Buy MP3 
Listen  3. Locked Doors 3:45£0.89  Buy MP3 
Listen  4. Baby, You're Out of My Mind 1:56£0.89  Buy MP3 
Listen  5. It Ain't No Lie 2:55£0.89  Buy MP3 
Listen  6. Live Line 3:37£0.89  Buy MP3 
Listen  7. Just Be Mine 4:44£0.89  Buy MP3 
Listen  8. Do What You're Told To 4:34£0.89  Buy MP3 
Listen  9. Mountain of Regret 4:50£0.89  Buy MP3 
Listen10. Latte 1:19£0.89  Buy MP3 
Listen11. Walking Down the Highway 3:09£0.89  Buy MP3 
Listen12. Song for the Sick 1:55£0.89  Buy MP3 
Listen13. Good Times 5:55£0.89  Buy MP3 


Product Description

Amazon.co.uk

The Kiss Of Morning, the fourth solo album from Graham Coxon, might just prove an unexpected landmark in the Blur guitarist's career. Previous efforts have proven a convenient outlet for the troubled guitarist to vent frustrations that inevitably arise from being a key cog in one of the biggest British rock bands of the last 10 years. But if the rumours that he's left Blur for good are to be believed, The Kiss Of Morning sees Coxon finally striking out on his own with no comfy motherband to fall back on. Is it great? Well, it's definitely solid: the misconception that all Coxon wants to do is smother everything in feedback is given the lie by the gorgeous "Mountain of Regret", a sleepy country-rock number with a guesting BJ Cole on pedal steel, while fragile folksy strums like "Bitter Tears" and "Baby You're Out of Your Mind" prove perfect vehicles for Graham's shivery, insecure vocals. "Song For The Sick" is a startlingly bileful rant against some bloke called Taylor, where Coxon spits "You ain't no friend of mine / You're a scum-sucking shitty guy" in a feverish rage. But ultimately, this album's strength is its diversity: flitting between moments of warm pathos and awkward rage, it's a well-judged mix of Coxon's ever-changing moods. If The Kiss of Morning is the sound of life after Blur, he's certainly going the right way about it. --Louis Pattison

BBC Review

The Kiss Of Morning - Blur man Graham Coxon's third solo effort is raw, tender and acutely personal. The theme, a man battling alcoholism inevitably smacks a bitter, remorseful taste, and there is little soft and sweet here.

Dominated by critical first person lyrics, third person intrusions appear as detached self criticism, as evident in the folky, "Baby You're Out Of Your Mind"; '...you'll end up dead...brain cells diminished and underfed'.

The temptation for listeners familiar with Coxon's recent strife to read The Kiss Of Morning as a very literal journal of Coxon's state of mind. And lyrics like 'That's it, I've got to get out before we fall out again', simply don't help.

However, interest in the album should not be restricted to Blur fans in search of snapshots into Coxon's psyche. It stands up to scrutiny on its own merits and is best listened to divorced from the distraction of the Blur split.

A stripped down acoustic guitar sound pervades, yet Graham draws widely on a host of musical traditions. Compositions range from extreme simplicity to wonderful complexity. No verse, chorus, verse reliance here.

"Latte" involves just a Nick Drake style finger-picked accompaniment. Longingly romantic "Live Line" is backed by a simple folk blues riff. A rolling piano shifts the album to a smoky jazz blues feel in "Locked Doors", culminating in Graham's guitar swatting all asunder, providing a convincing impersonation of non-specific industrial power tools.

A massive gothic organ lifts the sublime "Escape Song" up a gear before a Syd Barrett guitar hook progresses the track to a stomping fuzzed rock finale. The murderously spiteful "Song For The Sick" affects an Irish folk style, with the refrain 'Die Taylor die, you ain't no friend of mine'.

"Mountain Of Regret" provides the album's peak. This is a full on and truly awesome country ballad replete with slide guitars, absent loves and heaps of melancholia. A lyrical taster: "...turned my back on her true love, all my friends and the Lord above. And my drinking dragged me down... "

On the 13th track Graham implores "I want you to remember, the good times". However, The Kiss of Morning reveals good times to be sparse, and life to be far from a walk in the park for most. Fragility, anger, violence and regret provide the timbre of an emotionally charged and musically diverse album. Coxon's best work yet.

Like This? Try These:

Foo Fighters - One By One

Libertines - Up The Bracket --Daniel Pike

Find more music at the BBC This link will take you off Amazon in a new window


Customer Reviews

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Most Helpful Customer Reviews
10 of 10 people found the following review helpful
5.0 out of 5 stars Blur's loss=Coxon's gain 21 Oct 2002
Format:Audio CD
...This album, although steeped in melancholy, seems to exorcise a great number of ghosts. His fourth solo outing in five years, The Kiss of Morning is Graham's most accessible by a country mile, and does indeed sound almost 13/Blur-like era Blur in parts. The album has a wonderful warm analogue sound (the sleevenotes even take you through the recording process!) For my money the standout track is "Just Be Mine", for no other reason than it is a great pop song. Yes, pop. There are rockier numbers on here, and there are ballads too. If this is what happens when Graham gets the better of his demons then there is no reason why even with evidently deeply personal material like "Bitter Tears" he won't find commercial as well as critical success. Those Essex boys will have to go some to beat this...
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9 of 10 people found the following review helpful
5.0 out of 5 stars Mountain of Delight 9 Jan 2004
By A Customer
Format:Audio CD
That this album isn't more widely known is nothing short of a cultural crime. Every track on it is a classic! I checked the credits of the album god knows how many times in the first couple of weeks after I got it because I was so sure that I'd known a lot of the songs all my life. You know when you hear a new song and very quickly you can't imagine that there was ever a time it didn't exist? That's especially true for the blues-y "Locked Doors" and terrifyingly catchy "Just be Mine". The genre of this album is pretty undefinable... country? - "Mountain of Regret"; rock? - "Escape Song" and "Do What You're Told To"; blues? - "Locked Doors". "Song for the Sick" has to get a special mention just for its lyrics (made up almost entirely of insults - and some cracking ones at that). Every track truly is a classic, but for me the real highpoints are the beautiful, soulful, lovesong-to-self "Baby, You're Out of Your Mind" and noisy-as-hell "Escape Song". In conclusion: witty insightful lyrics, big noisy guitars, soft soulful guitars, guitars making noises you didn't know guitars could make, file under psychiatric.
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20 of 23 people found the following review helpful
5.0 out of 5 stars How To Pull Girls! 11 Nov 2002
Format:Audio CD
Men! Do you have problems attracting the opposite sex? Then you need The Kiss of Morning. Simply insert into your CD player, press play and learn the songs on your guitar (er, I did mention that you need a guitar didn't I?). You will thus be able to entice women with your renditions. The quiet tracks will reveal your caring side while the thrashing electric ones will hint that you go like Stephenson's Rocket. Best of all, you can tell women you wrote the songs yourself, safe in the knowledge that Coxon's inconspicuous style will ensure his album receives minimal publicity and your secret will remain safe.

Or will it? This is the fourth album from Blur's recently departed guitar player, although you could be forgiven for not noticing the first three, as he doesn't exactly go all-out for attention (like, say, relying on gimmicky cartoon characters). There are no obvious hit singles here but word of mouth - or Amazon! - just might change all that.

Fellow Blur songsmith Damon Albarn may write about interesting people such as wife swappers, Japanese businessmen, etc but tends to say little more about them than what futile lives they all lead. Coxon, on the other hand, sticks to less adventurous subject matter - mainly love or people who have p****d him off - and as a result his songs are less pretentious and constricted. He doesn't break any new ground when it comes to musical genres, presenting us instead with simple but brilliant melodies which grow on you like...er...hair (well, it's the only pleasant thing I could think of).

Apart from occasional guest contributors it's mostly the man, his guitar and a drum kit - and half the tracks even dispense with the percussion. The songs switch from folksy and acoustic to loud and electric, the best track probably being the bluegrass ballad "Mountain of Regret" which has the authenticity of a 50-year old classic. The lyrics tend to be melancholy or bitter but not depressing. Coxon never goes out of his way to sing the right note and the inclusion of occasional mistakes suggests that he doesn't bother with many takes, giving the album a raw but relaxed charm. It seems that Coxon simply plays music he likes and if anyone else likes them enough to buy them then, well, that's a nice bonus.

Coxon's songwriting seems to have weathered the detrimental effects of fame. In fact, it's probably doing something as uncomplicated as these songs that has kept the man sane. It's ironic but if he wasn't already famous he would probably be hailed as the new Badly Drawn Boy. As it is he seems likely to face relative obscurity. And you know what? I'm sure he couldn't give a gorillaz.

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