It's too easy to be dismissive of Chris Ryan's pumped-up action adventures. The action sequences here in The Kill Zone are joined together with a bunch of military acronyms, crude army-speak narrative ("everyone knew that word spread around this place like s- on a blanket"), stock phrases ("everyone realised that a war like this was won or lost on the ground"), and clichéd macho dialogue ("There are two kinds of luck, Jack - the luck you get and the luck you make yourself"), but it makes no claims to be great literature. When it comes to developing an exciting storyline that is packed with incident, tension, war heroics and sneering evil foreign villains, Ryan delivers. A former SAS member himself, commander of a sniper team of an anti-terrorist unit, involved in overt and covert operations, there's also no denying that Ryan writes from an authoritative position, accurately describing the world he knows, but able at the same time to spin it into a thrilling yarn.
That's certainly the case with his latest novel The Kill Zone, the story taking in operations in the Stan (that's Afghanistan for you civilians out there) of larger-than-life SAS Captain Jack Harker, as well as work of former Det surveillance officer Siobhan Byrne, an undercover operative in Belfast, where, despite the Peace Process, the ex-paramilitaries continue their involvement in organised crime. And what links the two operations? The drug trade evidently, but also another kind of trade, one that Harker and Byrne's missing daughter Lily appears to be caught up in, a nasty business that takes them to one of the most dangerous places on the face of the Earth - Somalia.
The world Ryan operates in doesn't allow for a great deal of subtlety in either the action or the characterisation - it's a case of get in, hit hard and "exfiltrate", where the people inevitably are rather too hard-edged to let the weaknesses of any genuine personality traits break through their tough exteriors. The dialogue between these one-dimensional characters is consequently often quite banal, Ryan relying on the stock characterisation of maverick action heroes and, it has to be said, racial stereotypes when it comes to describing all the dangerous foreigners who pose a threat to the stability of the world that Jack and Siobhan are fighting for.
But you're not going to be reading The Kill Zone for any insight into cultural differences or for the finer points of international diplomacy. If you're looking for fast, tough, non-stop action, heroics and explosions, imaginatively put together from a position of authority, accuracy and authenticity (with a healthy dose of creative licence of course), and some genuinely shocking twists and turns, then The Kill Zone fits the bill. Big time.