The Kalahari Typing School for Men continues as the fourth installment in the fine series about Botswana's first lady detective, Mma. Precious Ramotswe, which was begun in The No. 1 Ladies' Detective Agency and followed by Tears of the Giraffe and Morality for Beautiful Girls. Alexander McCall Smith does a fine job of providing the background from the first three novels in the opening of this one, and the book is almost as stand-alone as The No. 1 Ladies' Detective Agency. The Kalahari Typing School for Men continues several themes in the prior books including the superiority of women over men, the importance of being organized and diligent, following your heart and spirit to do the right thing . . . in the right way, and intriguing questions about what is moral behavior in complex situations.
The book continues its humorous backdrop as Precious finds herself up against an experienced male competitor who opens the Satisfaction Guaranteed Detective Agency. The competitor proves to be very annoying to Precious, and she struggles to maintain her optimism in the face of this new trial.
With Mr. J.L.B. Matekoni back working energetically at Tlokweng Road Speedy Motors, Mma. Makutsi finds herself dissatisfied. She's really operating as a secretary to both companies rather than as an assistant detective and acting manager, as she had done before. When a new client shows up and insists on speaking with Precious alone, Mma. Makutsi's unhappiness grows. But she shakes herself off, and finds a new opportunity in establishing The Kalahari Typing School for Men, the most unique educational establishment you will probably ever read about.
Precious deals with two client cases . . . neither of which is really a mystery in the normal literary sense. But deciding how to represent her clients' best interests provides weighty challenges of Biblical proportions.
I was a little disappointed in the book, though. Unlike the earlier three books, it lacks the powerful presence of wild Africa to add character and spice. Increasingly, I felt like I was reading just another comic novel about a woman who is trying to juggle all of the balls at once without dropping one. While that is certainly entertaining, this book lacked the uniqueness that made the other books such continuing and pleasant surprises.
As I finished the book, I thought about the special relationship between novelists and their readers. When a novelist establishes a character and a setting for a series of novels, readers expect that what makes that character and setting precious to them will continue. When a book attempts to go off in a new direction, readers should be glad of the author's willingness to experiment. But I do think that the author should provide a valuable substitute if precious elements are left behind. For example, if this novel had been set in an intriguing new locale because Precious had to move, the pleasure of learning about that locale would have made the book's switch in direction worthwhile.
Novelists, keep your implicit promises to your readers!