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The Journalist and the Murderer Paperback – 7 Jun 2012


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Product details

  • Paperback: 224 pages
  • Publisher: Granta Books (7 Jun. 2012)
  • Language: English
  • ISBN-10: 1847085342
  • ISBN-13: 978-1847085344
  • Product Dimensions: 12.9 x 1.2 x 19.8 cm
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (9 customer reviews)
  • Amazon Bestsellers Rank: 46,917 in Books (See Top 100 in Books)

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Product Description

About the Author

Janet Malcolm's books include Reading Chekhov, In the Freud Archives, The Silent Woman: Sylvia Plath and Ted Hughes and Psychoanalysis: The Impossible Profession. Born in Prague, she grew up in New York, where she now lives.

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10 of 10 people found the following review helpful By JAKE MCAULEY on 17 Feb. 2011
Format: Paperback
Story:
In the 1983 convicted killer Jeffrey MacDonald sued author Joe McGinniss for writing a biased account of his case ('Mcginniss Joe : Fatal Vision (Signet)'). He nearly won.
Janet Malcolm takes a psychoanalytical into what caused half the jury to vote in favour of a man who had just been convicted of murdering his pregnant wife and two children.

Despite pulling out all the psychoanalytical stops for her investigation into the case, this book is exceptionally accessible to all.
Starting off her analysis of the whole debacle, Malcolm begins by creating analogies between those who open up to journalists and the subjects of Stanley Milgram's famous obedience experiments. It seems like a huge leap but Malcolm strongly believes that when we are in the presence of writers / journo's, we all tend to loose a our self control and become subservient to those throwing the questions - just as Milgram's subjects gave up their self control and followed the order to torture. In a nutshell Malcolm believes subjects are putty in the hands of their manipulative writers, therefore the journalist has a responsibility to deliver the truth without bias.

And this is the springboard for Malcolm's own journey.

Malcolm's investigation leads her on an expedition to find the bias in 'Fatal Vision' and prove her point (that Joe McGinniss was manipulative and deceitful in his account), but in doing so she is be becoming more and more partizan. It seems at one point 'the jokes on her'.
In the end Malcolm acknowledges her own predilection, but uses this only to prove her initial point that the writer a has all that power - which inevitably leads to corruption.

So yes writers are naughty with the facts, but they really can't help it.
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15 of 18 people found the following review helpful By Transhamster on 21 Sept. 2005
Format: Paperback
In this beguiling work, Malcolm ascribes to the journalist-subject relationship the phenomenum which Heisenberg, working in atomic physics, characterised as the uncertainty principle: namely that through the process of observation, the observer alters the outcome.
To explore the question, she studies a curious legal case in which a triple-murderer successfully sued an author who reported his case: the jury ruled that the writer had wilfully and maliciously misled the convict to such a degree that he was liable, to the tune of $350k, for his subject's wounded feelings.
Malcolm, in forensic detail, attempts to determine the point at which journalistic licence becomes outright lying; and the point at which humouring a subject in order to extract a story becomes manipulation.
Although at times dry, and at others veering towards being sanctimonious, any working journalist who is not too proud or too self-deluded will at least feel uncomfortable pangs - even if they are not finally persuaded that their trade is 'morally indefensible.'
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2 of 2 people found the following review helpful By John McCracken on 1 Aug. 2013
Format: Paperback Verified Purchase
This is a deeply provocative work - in the best sense of the term - and one which raises some basic questions about the trade of journalism. It is also extremely well-written.
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Format: Kindle Edition Verified Purchase
More factual than I was expecting but some interesting arguments, explores a real case and considers the motivations of the participants
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Format: Kindle Edition Verified Purchase
Brilliant analysis of an incredibly strange, morally complicated relationship between a journalist and a convicted murderer. The real thrill of it is that Janet Malcolm, despite her careful tone, clearly hates Joe McGinniss. She's a journalist as well mind you.
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