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Product Description
Product Description
Yoshi Oida is completely unique. A Japanese actor and director who has worked mainly in the West as a member of Peter Brook's theatre company in Paris, he blends the oriental tradition of supreme and studied control with the Western performer's need to characterise and expose depths of emotion. In this practical and captivating study of the actor's art written with Lorna Marshall, Yoshi Oida explains that once the audience becomes openly aware of the actor's method and becomes too conscious of the actor's artistry, the wonder of performance dies. The audience must never see the actor but only his or her performance. Throughout Lorna Marshall provides a running commentary on Yoshi Oida's work and methods which help you understand the achievement of this singular theatrical artist.
About the Author
Lorna Marshall teaches physical acting at the Royal Academy of Dramatic Art in London, and works internationally as a director and performance consultant in opera, circus and theatre. Her previous books include The Body Speaks and An Actor Adrift (also with Yoshi Oida). Yoshi Oida, a Japanese actor and director, has worked mainly in the West as a member of Peter Brook's theatre company in Paris where he became a leading member and trainer. His books include An Actor Adrift and The Invisible Actor.
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Before we start doing anything, it is important to clean the working space. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
Before we start doing anything, it is important to clean the working space. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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Customer Reviews
Most Helpful Customer Reviews
8 of 13 people found the following review helpful
Format:Paperback
Oida explains to the modern and ocidental actor how to use the possibilities of his body to create a deep and honest art. Through the approach to the oriental tecnhiques of acting we start to see very easly how the physich actions are the main tool to the actor and his work with the character.
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
6 reviews
8 of 8 people found the following review helpful
The book under my pillow
13 July 2000
Format:Paperback
Yoshi Oida, brillant Japanese actor (seen in "The Pillow Book") and stage director has given us a manual for acting. In it however, are many other invaluable techniques for living and for being.
I'm a professional singing actor, and these techniques and exercises for standing, walking, seeing, breathing, etc. are principles that I grasped immediately but think about practically every day. A must-own for singers, actors, dancers and stage animals of all kinds. I give this four stars not because it doesn't deserve the five-star rating, but because I would to think that there are maybe only 2 or 3 five-star books in the history of the world, and I would prefer not knowing what they are.
6 of 6 people found the following review helpful
The unseen actor is the best
4 Jun 2000
Format:Paperback
A wonderful book that reaches the essence of acting and goes to the core of the craft on a very physical way by trying to build a body that can make place to any character or role one wants to act. Full with exercices. But don't expect a book that tells you how the business works - this is about the craft!
6 of 6 people found the following review helpful
Becoming the work
19 Jun 2001
Format:Paperback
Thanks to Lorna Marshall, these ruminations on the actor's art are organized and brought together with discussions of method so that it is conversational and discursive, yet still coherent. Yoshi Oida discusses eastern techniques for the western artist, putting western ideas about acting into relief and offering useful tools. Some may find discussions of technique only whet the appetite for what the book does not offer - a more systematic approach to working on character, text, and partner work. The book serves more for inspiration than training, though Oida does make many practical suggestions for warming up and preparing for the work. Oida has the background and experience - especially his work with Peter Brook's truly international theatre - to transcend east and west; and his love for the craft of acting, for precision as well as freedom, make this required reading for acting students and teachers.
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