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'A fine achievement by a huge new talent' William Dalrymple, Sunday Times
In 1857 the native troops of the Bengal army rose against their colonial masters. The ensuing insurrection was to become the bloodiest in the history of the British Empire.Combining formidable storytelling with ground-breaking research, Saul David narrates a tale at once heart-rendingly tragic and extraordinarily compelling. David provides new and convincing evidence that the true causes of the mutiny were much more complex, and disturbing, than previously assumed.
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The Indian mutiny is a subject which has often been taken up whether by other historians, such as Christopher Hibbert (who compared to this wrote a rather turgid account), or even in fiction. J. G. Farrell received the Booker prize in 1973 for his novel The Siege of Krishnapur, and Zadie Smith wove Mangal Pandy into White Teeeth. Such popularity is easy to understand for the mutiny was more dramatic than any fiction. This drama is finely reproduced by David.
In 1857 British India under Company rule had reached its greatest extent. A disastrous defeat in Afghanistan in 1840 had been more than compensated for by annexations of the Punjab and Burma, whilst minor princely states continued to be snapped up by the Company when there was no apparent heir. But then in March 1857 an intoxicated sepoy, Mangal Pandy, became the first of tens of thousands of Bengal soldiers to mutiny. The course of events is vividly taken up by Saul David, leading the reader from city walls and bazaars, across dusty plains, to the villages and fields of the Indo-Gangetic plain, hill-top forts, Calcutta’s sweltering palaces, and reaching its conclusion in the jungles of Nepal. The story encompasses great heroism and cowardice, ghastly cruelty yet also surprising kindness, and both incompetence and brilliance. David also gives perceptive descriptions of the mutiny’s main figures; Henry Lawrence in Lucknow, John Nicholson at Dehli, Campbell and his highlanders, Canning in Calcutta, the villainous Nana Sahib, the courageous Ranee of Jahnsi, and the pathetic and tragic King of Dehli Bahadur Shah. Fittingly, however, David ends his account of the mutiny with the moving reminiscences of an aged sepoy who remained loyal throughout these traumatic times.
Apart from the mutiny the book gives a brief account of events leading up to the mutiny, and a more in-depth examination of the mutiny’s background. David assumes you know the bones of British India’s history. As regards events afterwards, other than immediately succeeding the mutiny, there is almost nothing. It might have been interesting to at least have had an appendix on different perspectives of the mutiny; how for example it is regarded in India today. As regards the text itself the only thing I could find to object to was a fleeting and rather unconvincing comparison between the mutiny and the American War of Independence.
These are, however, very insignificant qualifications, and may fairly be termed nit-picking. This is a hugely satisfying book. Saul David has set himself the task of describing and explaining the mutiny and does both admirably. The well-written text together with the nature of the subject meant that I found it hard to stop reading at times. David’s also has a masterly grasp of events. These he plays out chronologically with each chapter focusing on a different area of the struggle. This, together with the book’s excellent maps, make understanding events easy. Whether you are a student of Indian or Empire history (there are copious notes and an extensive bibliography), or merely interested in a rattling good read, I can not recommend this book highly enough. This is like Beevor but with more depth.
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