As the drums fade in like the march of a vast army approaching, Jesse Leach provides a stirring short speech reminiscent of such found on `Alive or just Breathing's' `Numbered Days` with a pulsating guitar solo. This time though it is `Strength in Numbers' the first track and single from the album, that he proclaims "we must unite mankind" telling you that the writing material is still the same and so is the fire with which he delivers the message. `The Hymn of a Broken man' sees Jesse, ex-Killswitch Engage front man provide vocals and lyrics for what is essentially Adam Dutkiewicz' baby in Times of Grace. "Uplift my spirit, so I carry on." is beautifully bellowed out in the chorus of a rough, chugging ,riff driven `Fight for life`. Track three is when elements of Killswitch engage creep in, along with the first sounds of sadness and less ferocious vocals amongst a rapid guitar riff in `Willing'. Predictably though the next two tracks fade into a backlog best left for the next Killswitch album. There is no doubting Adam D's writing ability but there is always going to be the same essence in his work that can be likened to past work, with similar chugging riffs accompanied by double bass drums and brief vocals before a chorus, slapped with autotune. The fifth track has to be the least enjoyable, a slow paced, downtrodden verse rings out before a forceful screaming chorus moves in.
Despite the similarities, `Live in Love' is a welcome track after some dismal songs and although it just reinforces the Killswitch stereotype, it's a well made song that will have fans nodding in a agreement, no doubt mimicking the heartfelt "through all your pain, believe in love" later following the same chord/drum progression and tempo found on of `My Last Serenade' or `Element of One', still managing to be a key, almost signature sound and one of the strongest tracks on the album. Again its typical of Dutkiewicz' to include a soulful instrumental, fraught with layered acoustic guitars and a small orchestra, still proving he can come up with a decent track without finger bruising solos or bottom of the stomach growls.
"Why do we live so blind? Like a fallen angels eyes, torn inside. This is the hymn of a broken man." yet more reason to keep track of Jesse Leach and his fantastic lyrics, so well delivered, one minute screaming a demonic proclamation, the next singing a delicate, pure note. Certainly a reason why it takes the honour of being the title of the album. What happens next however is totally unexpected, and is most likely the reason why the album was said to be "An epic mix of Metal/Rock/Pop/Shoe gaze & Punk." A rustic, western acoustic number you'd imagine on a Seamless record, with both artists providing harmonies and without question Adam Dutkiewicz' best vocal performance, along with a really well constructed melody and guitar tab. `Hope Remains' consequently is a track best suited to `As Daylight Dies' as its almost too easy to imagine Howard Jones singing instead, although this is not necessarily a bad song. Unfortunately for the two, they just have to revert back to the beginning of the album with another so-so track in `The End of Eternity'.
Yet again, they save it with two more songs to make you feel good about the last 50 minutes, One with haunting lyrics, a sharp guitar solo and an in tune Leach and Dutkiewicz harmonizing once again - "It's just a moment.. Be reborn" the other spectacular number saved for Adam and the finale to the album. A slight disappointment is that Adam D seems to rely on autotune far too much, producing note changes that just aren't possible for the average voice to produce, which makes it even more noticeable. However, that is a very picky subject by today's standards. Killswitch fans will take to this with relish, as will fans of The Empire Shall Fall, because its got the two ingredients, a fantastic guitarist with one ear for a delightful melody, another for endless arthritic riffs, and a genuinely gifted vocalist and lyricist. They don't break away from the mould very often, but why should they? When they can produce music that you've needed to hear because 1. You wanted another dose after `Alive or just breathing' like a withering crack addict or 2. Your mind has been polluted by the endless drivel played over and over again by British radio stations. Either way, `The Hymn of a Broken Man' should be considered as a well put together effort.
The DVD isn't spectacular but its a nice touch for a decent price. It features all tracks on the album with clips of nature like forests, skylines, fields etc as well as simple scenes with actors. It some of it feels a bit 'art studentish' and its not something you'd sit down and watch, more something you'd put on when you have some friends round, for decent music and some light and crisp imagery. Another plus to the DVD edition is that the CD comes with a bonus acoustic track of "Willing", definitely an interesting take on a roaring song.