The opening sequence to The Hunter will give you a good indication of how the remainder of the novel will play out. A contract killer, Victor, carries out a hit on the streets of Paris, coolly, efficiently and meticulously shooting his target, retrieving a memory stick containing information that his unknown client wants to obtain. Returning to his hotel however, Victor finds that a hit squad is waiting for him, and since no-one should know anything about him, it would seem that his own client has sent a "clean-up" team to remove any traces that his action might lead back to them. Victor however, isn't going to make that easy for them.
And therein, while there are the occasional twists and turns, you can sum up The Hunter's whole style and approach. The opening sequence is straightforward action with a minimum of background detail. The author operates on the same need-to-know basis as the agencies he writes about, gradually revealing only as much as is necessary to carry the story forward without ever letting the details bog down the thrills and the action. It's the way that he describes those action-packed incidents however that is the most thrilling element of the book. The writing is fabulous at describing the situations, with shoot-outs well-planned, choreographed and executed, a vividly depicted sequence of events that draws the reader in and allows them to visualise exactly what is happening.
The remainder of the storyline follows a similar course - a clean-up is called in to cover-up a clear-up that failed to cover-up, ad infinitum. Not a great way to attract people to work for you, as Victor observes at one point, but Tom Wood makes the twisted rationale work in the murky world of international espionage without over-complicating the issue. The Hunter then is very much in the same mould of the Bourne Identity, the European and wider global settings providing a terrific stage for the playing out of the cat-and-mouse, bluff/double-bluff nature of the business.
Other than working for the bad-guys, Victor, who one could presumably see as being yet another in a long line of tough espionage agents and operatives - Bond, Bourne, Bauer - doesn't however have any great distinguishing qualities, and his motivations inevitably remain a mystery for much of the book, (an attempt to give his amoral stance some depth through a visit to a church to pray for his victims feels a little trite and is soon thankfully abandoned), and, as such, it's hard to say how much mileage there is in the character. The Hunter however is so well written in terms of its set pieces and how it brings them all together - to a spectacular if somewhat over-the-top conclusion - that further outings from Victor are likely to be eagerly anticipated.