This movie,adapted by Sidney Buchman from Elizabeth Page's massive 1939 best-selling novel "The Tree of Liberty",is one of those curious Hollywood hybrids:part grand historical epic,part modest family soap opera.Set in the second half of the eighteenth century during the build-up to,and subsequent battles of,the War of Independence,the story centres on the the relationship between Matt Howard (Cary Grant),a down-to-earth,restless,spirited and idealistic young woodsman,and Jane Peyton (Martha Scott),a privileged Virginia debutante.They meet,marry,and move to the rough-and-ready district of Matt's youth.Slowly,however,the differences that once seemed not to matter - class,for example,and old family allegiances - come to serve as the source of serious tensions.Matt,an old and firm friend of Thomas Jefferson,is drawn into the struggle againt the British colonial powers,eventually joining the army and fighting in the revolutionary war,while Jane,reflecting the conservative values of her cosseted upbringing,remains fervently opposed to the republican cause.Matt,therefore,faces two battles:one to defeat the British,the other to save his marriage. This ambitious movie never quite finds a proper balance between the epic and the intimate,moving backwards and forwards between the two without ever really finding either coherence or conviction.Scott is competent in an unimaginative role,but Grant is badly miscast and never looks or sounds remotely at ease.Sidney Buchman,a fine screenwriter who would later become a victim of McCarthyism,is too eager to illustrate his strong beliefs about Jeffersonian democracy and its legacy,turning some scenes into condescending history lessons and some characters into caricatures (he covered the same ground intellectually in "The Talk of the Town",but with far greater subtlety and a more assured dramatic touch). This is not,however,a bad movie,just a disappointing one.The period detail is vivid,particularly in those scenes that were shot on location in Williamsburg,and the action is staged and choreographed with a certain degree of skill.If one is frustrated by the unevenness and clumsiness one is still able,none the less,to admire the scope and the energy.The print,apart from the occasional pop and crackle,is in fairly good condition,and this particular edition comes with an original theatrical trailer.