THE HOUSE OF BORGIA
by Christopher Hibbert
This, Hibbert's last project - an overview of the notorious Borgias, who ruled the Papal states and other Italian territories at the end of the fifteenth century - is a descriptive, but slightly unfocused and old fashioned history.
It gives equal time to the three most infamous Borgias - Rodrigo (who became Pope Alexander VI in 1492), his indomitable son Cesare, and his popular but frequently scandalised daughter Lucrezia.
The first pages establish the milieu of the Papacy from the fourteenth to fifteenth centuries; the rivalries, corruption, and overt politicizing of the office. It is through this instability that a character such as Rodrigo Borgia, a Cardinal since 1456, can rise to become Pope. Alexander VI was a shrewd schemer; he knew how to get what he wanted and when to push for it. His son Cesare outshined him with his penchant for military maneuvers to consolidate as much Italian territory as he could manage. Cesare was relentless in his pursuit of power and his brazen arrogance led to many a kidnapping and murder, usually denied by him when challenged. Lucrezia was born, and for most of her life lived, in luxury with a smattering of servants at her whim. Her early years are usually remembered as that of sexual scandal and licentious behaviour. Yet she endeared herself to anybody she came into company with, not only taking adoring lovers but winning over people who were at some stage or another wary of the Duchess of Ferrera (as she became in 1502, from her third marriage).
The House of Borgia is a facts-only overview of the family which involved a plethora of individuals - rivals, alliances, royals - were at some point or another entangled in the Borgia web. The story is not short of murder, sacking, pillaging, and sexual affairs. What's often believed to a scandalous aspect of the Borgias, the alleged incestous relationships of Rodrigo, Cesare, and Lucrezia, is somewhat underplayed but still acknowledged by Hibbert as he mentions a jilted partner of Lucrezia possibly concocting such scandal as an act of revenge. Whatever of the veracity of the stories, they stuck in the minds of Italians (an distinctly Catholic fascination with all things prurient). The Borgia men were fond of sexual bravura and certainly Cesare suffered for much of his adult life as a result of his seemingly limitless sexual proclivities (often bed-ridden by the effects of syphillus, skin-falling-from-his-face-requiring-him-to-wear-a-mask bad).
Hibbert however sticks strictly to descriptions of events and offers very little in the way of opinion. This can be admirable in a strict historical fact sense but for historical reading it gets tiresome. There's no summarising at any point of the book, most noticeably at the conclusion (maybe the most anti-climatic conclusion of a history book I've read). Hibbert certainly seems to be have been smitten with Lucrezia; he went to lengths to construct a forgiving, even loving portrait of her (no surprises she adorns the cover). While he seems to want to punish Cesare by mentioning his 1507 death in a passing reference. You could miss it and find yourself at the end wondering: "What happened to Cesare?" His account of Pope Alexander VI's death is more skillful, illustrating the ignominous nature of his disposal. At times Hibbert goes on too long in repetitive if not pointless descriptions of certain events, especially ones where ducats are involved. Apart from the start of the book, there is no contextualising and no character evaluation (with mild exception of Lucrezia). For a descriptive overview of the Borgias that is fine but for readers who want something more, you need to look elsewhere.
5.5