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Exiled in Richmond in the 1920s, taken from her beloved Bloomsbury and lovingly watched over by her husband Leonard, Virginia Woolf struggles to tame her rebellious mind and make a start on her new novel. In the brooding heat of 1940s Los Angeles, a young wife and mother yearns to escape the claustrophobia of suburban domesticity and read her precious copy of Mrs Dalloway. And in New York in the 1990s, Clarissa Vaughan steps out of her smart Greenwich Village apartment and goes shopping for flowers for the party she is giving in honour of her life-long friend Richard, an award-winning poet whose mind and body are being ravaged by AIDS.
These are the characters in Michael Cunningham’s exquisite and deeply moving new novel, which takes Woolf’s life and work as inspiration for a meditation on artistic behaviour, failure, love and madness. Moving effortlessly across the decades and between England and America, Cunningham’s elegant, haunting prose explores the pain and trauma of creativity and the immutable relationship between writer and reader.
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The great accomplishment of this novel is the way that Cunningham has absolutely captured Virginia Woolf-- her life, her spirit, and her writing style. Had I not known otherwise, I would never have believed that this was written by a man. Her wit, the off-center brilliance of her observations, her malaise and isolation, are all perfectly captured here. But the GENIUS of the story is the way in which her life, and most especially her death, are not made to seem sad, but beautiful and poetic in a way that touches us all. He shows this by linking Woolf in unexpected ways to the lives of two very different women living in different eras. Great literature is transcendant in ways that we rarely appreciate in our day-to-day lives; Cunningham has shown that there can be great poetry and meaning even in shopping, baking, and death.
This is a truly inspiring and deeply thought-provoking book, based on a profound appreciation of Woolf's novel. It is written with marvellous economy and scholarship, tightly structured around a single day in the lives of three women. The meeting of two of the characters in the final chapter is the least important of the linkages between the three strands and after all that has gone before seems partly irrelevant.
The themes of 'Mrs Dalloway' which the book picks up and develops are among the most simple and entrancing - love, loss, consciousness, how and why we go on living. And I'm sure there's plenty that I missed.
I'm looking forward to re-reading this book and I do encourage those readers who didn't appreciate it first time round to do the same. This powerful little book may not reveal all it's depths to you without a little work but that should do nothing to diminish your enjoyment of it.
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