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On the DVD: Shot at 2.35:1 against very similar landscapes to Legends of the Fall (1994), The Horse Whisperer has a real epic visual sweep and the anamorphically enhanced image captures the endless landscapes and ever-changing skies well. However, there is more than expected grain, and some scenes show obvious compression artefacting. The Dolby Digital 5.1 sound is largely confined to the front three speakers, though creates some wonderfully atmospheric ambiences when called for; Thomas Newman's score is served particularly well in several key scenes. The extras are the American theatrical trailer and a music video for Allison Moorer's New Country ballad "A Soft Place to Fall", both crawling with compression artefacts. Also included are three "featurettes" on the production, Redford, and real-life "horse whisperer" Buck Brannaman, though each runs less than two minutes. The lack of any substantial extras is explained by Redford's comment in his "featurette" that wanting to know about how everything is done ruins the magic of the movies. --Gary S Dalkin
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Let's begin with the pacing. The film is 16 minutes off being three hours long. If you're mad about horses, love pictures of landscapes, get lost in romantic movies or could watch Redford/Thomas all day, this is not a problem - time will fly and you should buy this film immediately. If, however, you're more of the action movie type, then the subtleties and nuances of the film will pass you by and the time will drag. A fair test might be “The Remains of the Day”; if you liked that, you'll probably also like this; if you felt nothing ever actually happened in that film, save yourself a rental fee.
The one other sticking point might be for those who read and loved Nicholas Evans' novel on which the film is loosely based: emphasis on the 'loosely' here. Although the film mirrors the book to start with ¬- the horrific accident that maims both horse and girl - the development of the two plot lines is given a different emphasis in the film. Hollywood have also done to the ending what they so often do ¬- as per “Captain Correlli's Mandolin” ¬- and changed it, not really for the better, though doubtless that was the intent. However, this epic is so good that, not only are you prepared to forgive this, but not knowing what is going to happen in the end actually adds a piquancy to the romantic angst that otherwise might be lacking.
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