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Still, the 1960s were a golden age for the Hollies and to hear the Graham Gouldman penned "Bus Stop", "Carrie Anne" (part Kinks, part Beach Boys, part calypso) or the sweet-shop bubble gum of "Jennifer Eccles" is to be reacquainted with a sunny lost world of short skirts, mini coopers and policemen on bicycles. Even the knee-jerk cod-psychedelia of "King Midas in Reverse"--a full-on trumpets-blaring, cello-charging microcosm of Revolver and Sgt Pepper-isms--deserves revisionist plaudits. There is one newly recorded track on the album (featuring Allan Clarke's replacement, the former Move vocalist Carl Wayne) called "How Do I Survive". Regrettably, it's a disco-cum-AOR rock thing that sounds like the result of an unfortunate liaison between James Ingram and Foreigner. Still, when faced with the spine-tingling, classic gold timelessness of "He Ain't Heavy He's My Brother" and "The Air That I Breathe" it would matter not one jot if the bonus track was a three-part harmony rendition of a page out of the telephone directory. --Kevin Maidment
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Amazingly, neither CD here gets boring or proves to be heavy going-all of the 60s stuff is here and sounding FANTASTIC, (especially "Look Through Any Window" and "Jennifer Eccles", they sound like they were digitally recorded yesterday)
You also get some excellent tunes from the last 30 years thoughtfully mixed in, such as "The Air That I Breathe", "Soldier's Song", and "The Baby". You can still loudly hear the Hollies influence today in the music of Oasis, Travis, Teenage Fanclub et al and they shouldn't be forgotten.
This collection is very similar in completeness and entertainment value to the Bee Gees "The Record" compilation-in other words, a wonderful VFM hits package.
Despite those omissions, this is an undeniably strong compilation. Of course, their biggest successes were in their home country, where their long list of big hits includes I'm alive, Sorry Suzanne, On a carousel, Look through any window, The air that I breathe, Carrie Anne, He ain't heavy he's my brother, Bus stop, Jennifer Eccles, Just one look and Yes I will. Of these, Just one look is a cover of a song that had been a huge American hit for Doris Troy.
The big UK hits are not the only ones worth hearing. If I needed someone and King Midas in reverse were, by their standards, modest hits but still wonderful. The generally less successful seventies are also well represented, not only by The air that I breathe (first recorded a year earlier by Phil Everly – yes, really), but by Long cool woman in a black dress, Gasoline alley bird and Boulder to Birmingham (a cover of an Emmylou Harris song). A new recording completes the set.
This is as good a collection of Hollies music as you are ever likely to find. If you enjoy British sixties pop music, you will find much to enjoy here.
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