This little gem is an absolute must for anyone who is interested in the hidden twists and turns of the human psyche. Based on the novel by L. P. Hartley, it explores the relationship between the troubled minds of an astrocratic young lady and her chauffer. She is suffering, retrospectively from depressive self-criticism after the recent death of her elderly husband, whom she felt she had neglected during his life, while her chauffer is in denial of all emotions, which he sees as weaknesses to surviving in an unjust world. Although the film deviates significantly from the book, in its own way it evokes more poignantly, a time just after the First World War when class image and values were a serious impediment to any real human understanding. Set against a backdrop of gloomy country houses and autumnal landscapes, the acting by the principle protagonists, Sarah Hiles and Robert Shaw, is faltless. Their tortured metamorphosis leaves one with the profound conviction that hypocracy and denial were, and probably still are, the greatest impediments to genuine communication between people from all walks of life.