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The Hare With Amber Eyes: A Hidden Inheritance Paperback – 27 Jan 2011


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Product details

  • Paperback: 354 pages
  • Publisher: Vintage (27 Jan 2011)
  • Language: English
  • ISBN-10: 0099539551
  • ISBN-13: 978-0099539551
  • Product Dimensions: 19.6 x 13 x 2.8 cm
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (473 customer reviews)
  • Amazon Bestsellers Rank: 2,286 in Books (See Top 100 in Books)

More About the Author

Edmund de Waal describes himself as a 'potter who writes'. His porcelain has been displayed in many museum collections around the world and he has recently made a huge installation for the dome of the Victoria and Albert Museum in London. Edmund was apprenticed as a potter, studied in Japan, and read English Literature at Cambridge University. 'The Hare with Amber Eyes', a journey through the history of a family in objects, is his most personal book.
www.edmunddewaal.com

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Review

"...as full of beauty and whimsy as a netsuke from the hands of a master carver"--The Economist

"...this book is impossible to put down. You have in your hands a masterpiece."--Francis Wilson, The Sunday Times

"An intensely personal meditation on art, history and family, told in prose as elegant and precise as the netsuke themselves"--London Review of Books

"It is a rich tale of the pleasure and pains of what it is to be human"--Bettany Hughes, Daily Telegraph

"An exquisitely described search for a lost family and a lost time"--Colm Toibin, The Irish Times

"Both the story he uncovers and the objects he describes are fascinating and startling"--AS Byatt, Financial Times

"Unexpectedly combines a micro craft-form with macro history to great effect"--Julian Barnes, The Guardian

"A book of astonishing originality"--Evening Standard

"An extraordinary and touching journey with a backdrop glittering with images from Proust and Zola and Klimt"--Margaret Drabble, Times Literary Supplement

"Every page of Edmund de Waal’s The Hare with Amber Eyes gave me pleasure"--Rachel Polansky, Times Literary Supplement

Book Description

The history of a family through 264 objects - set against a turbulent century - from an acclaimed writer and potter

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Customer Reviews

4.2 out of 5 stars

Most Helpful Customer Reviews

329 of 339 people found the following review helpful By A Common Reader TOP 50 REVIEWERVINE VOICE on 26 Nov 2010
Format: Hardcover
Edmund de Waal is a renowned ceramic artist who's work has been exhibited in Tate Britain and the Victoria and Albert Museum. He can trace his ancestry back to a wealthy Ukrainian family who made their fortune from grain exporting and later banking, and who had spacious and luxurious homes in Vienna, Tokyo and Paris. When Edmund inherited a collection of 264 tiny Japanese netsuke carvings from his Uncle Ignace, he felt prompted to investigate their place in the family history. The Hare With Amber Eyes is the result.

The book opens with De Waal studying in Tokyo in 1991 while on a two year scholarship, visiting his Uncle Iggie (Ignace) in his home in Tokyo, which he shares with Jiro, his partner of 41 years. Ignace has a wonderful collection of netsuke which has been in the family since the late 19th century. Three years later, Uncle Iggie dies, and Jiro writes and signs a document bequeathing the netsuke to Edmund once Jiro himself has gone.

When Edmund eventually owns the netsuke he finds himself greatly intrigued by the history of this remarkable collection, and realises that all he really knows are a few anecdotes, which become thinner in the telling. The only answer is to carry out a proper investigation into their story - and off he sets to visit the locations the netsuke have resided in and to investigate those who owned them before.

The Hare with Amber Eyes is a lovely book. I have read similar accounts of family history where too much is assumed, where scenes are guessed at, conversations created where none could possible be recalled, and personalities are elaborated until they are far too larger than life. Edmund de Waal seems to be a very careful writer. He has only written about what he knows and what he can prove from primary sources.
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522 of 540 people found the following review helpful By R. G. Saunders on 24 Jun 2010
Format: Hardcover
This is a mesmerising many-layered book. The fascinating narrative of the fabulously wealthy Jewish Ephrussi family moves through the decades from commercial Odessa to the Paris of the Impressionists and artistic salons to the brutal destruction of the Anschluss of 1938 in Vienna and a familial diaspora over three continents. Parallel to this, we follow with the author his own emotive journey to reclaim the lives lived in the vanished rooms of his forbears. This he does sensitively and successfully, imagining his way there through archives, letters and contemporary fiction. He visits all the great houses and, in Odessa, tasting the dust of the demolished palace rooms, he rejoices in the survival of the Ephrussi family emblem on a last remaining banister.

Such evocative writing and small discovered detail make this a story we want to follow with him and we find that this is not, after all, a tale of acquisition but of loss. The 264 tiny Japanese carvings (netsuke) bought in the 1870s in Paris are all that now remain of the family possessions. We also come to understand another loss: the Ephrussis no longer felt defined by their Jewish origins: artists and socialites passed through their grand salons. It is shocking to discover that even those who enjoyed their patronage were casually anti-Semitic. It is hard to read the vivid account of the abrupt violence of the Nazis as they took (almost) every precious possession from them, leaving them, in the end, only their Jewishness.

The netsuke are the beginning and ending of the story. Their exquisite detail is emblematic of this beautifully crafted book and its touching story of the individuals through whose hands they passed. One or other of them seems, like a rosary, to accompany the writer in his travels: a constant reminder to keep faith with his past.
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77 of 82 people found the following review helpful By Lesley Whyte on 13 July 2010
Format: Hardcover Verified Purchase
I have been recommending this book to all my friends since I read it. It provides a fascinating insight into fin de siecle Paris and early 20th century Vienna while exploring the lives of members of the Ephrussi family. The plight of the Jews and their treatment at the hands of the Nazis suddenly becomes personal, because you feel you know these people. You also get an insight into the factors that lead to their persecution.

It's mesmerising to learn of the provenance of some of the world's most famous art works, while the constant presence of the collection of netsuke is a leitmotif that binds everything together. This books crosses generations and continents. It is an easy read, but also a work of profound content. The author has managed to balance the emotions aroused learning about his forebearers with a detachment that analyses the factors that lead to their downfall. I recommend this book to anyone who is interested in art, 19th and 20th century history or just enjoys family sagas.
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447 of 490 people found the following review helpful By John McCartney, Amazon Customer on 2 Feb 2011
Format: Hardcover
I really wanted to like this book and, as far as literary craftsmanship is concerned, I do. It is beautifully written. But I can't help feeling that there is something important missing. We read about the fabulous wealth (and it was really fabulous) of the Author's forebears (the Ephrussis) going back five generations. These were men - and a few women - who commissioned works of Art from such as Renoir and Manet; who lived in huge palaces in the centre of Paris or Vienna; who owned huge estates in the Czech countryside and homes in many different cities; and who assembled their massive wealth, not through invention or production, but through banking and brokerage in foodstuffs. In living as the Author describes none of them, I am certain, meant any harm to anyone. They saw themselves, surely, as model employers, as philanthropists. They floated above normal Viennese (and Parisian) society; they were hardly affected by the First World War; the slump and depression of the early 1930s didn't affect their standard of living much; only the Nazis were able to bring down their world of privilege after the Austrian Anschluss of late 1937. And, unforgiveably, this happened because they were Jewish, as it happened to so many at the time. But the consequences for this particular very rich family were not as serious as for many of their fellow Jews, since they were able to buy their exits from Nazi Austria, albeit at the expense of almost their entire fortune, and with a huge amount of very stressful anxiety (which circumstance, the Author indicates, sadly killed his Great Grandmother). But those members of the Family who ended up in England for the duration of the Second World War lived in more comfort than many of the English, in a villa in Tunbridge Wells.Read more ›
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