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Review
“A multi-levelled work that deals with sex, death, creativity, biography and much else besides . . . beautifully written . . . deeply moving.” —Michael Billington, "The Guardian
"“Bennett the maestro returns with a multi-layered masterpiece . . . hilariously provocative . . . mixes hard-won wisdom about such matters as the meaning of collaboration, the dubious value of biography . . . and flurries of delirious silliness.” —Paul Taylor, "The Independent
"“Deft, amusing, and so intelligently and generously crafted that it makes you feel clever just watching it . . . "The Habit of Art" is a richly thought-provoking piece about many things, including artistic creation, the vulgarity of biography, sexuality, friendship, the bubble of reputation, but it also has an intriguingly autobiographical feel at times. What sort of artist have I been? Will anything survive?” —Christopher Hart, "The Sunday Times"
Product Description
Auden often said that metre and rhyme led him down unexpected paths to thoughts he wouldn't otherwise have had, and in this respect versification and fornication are not so different.
Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by amongst others their future biographer and a young man from the local bus station.
You are a rent boy. I am a poet. Over the wall lives the Dean of Christ Church. We all have our parts to play.
Alan Bennett's new play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion's spent: ultimately, on the habit of art.
'In the end,' said Auden, 'art is small beer. The really serious things in life are earning one's living and loving one's neighbour.'
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Although the structure of the play is complex, with each actor playing an actor and the part which the actor is playing, this isn't an intellectual construct for the purpose of being avant-garde, but a solution to writing about famous men about whom many of the audience will know little more than their names.
A fascinating play, and one which is infused with human sympathy, and affectionate humour. Bennett's ability to get us thinking seriously without telling us what to think is a rare talent ideed, and one to cherish.
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