The Guards remain as a chorus in the background, never altogether past, infringing on Jack Taylor at the least expected moment. The intimate, bustling city of Galway, crashing into prosperity, illuminates the story at every turn.
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The Guards remain as a chorus in the background, never altogether past, infringing on Jack Taylor at the least expected moment. The intimate, bustling city of Galway, crashing into prosperity, illuminates the story at every turn.
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Selected as one of "Six of the Best independently published authors
tipped to succeed" Publishing News
"[He] concocts, with literary alchemy, prose that is both fresh and familiar." Crime Factory
"Irish writer Ken Bruen is the finest purveyor of intelligent Brit-noir." The Big Issue
"Why the hell havent I heard of Ken Bruen before? Hes a terrific writer and The Guards is one of the most mesmerizing works of crime fiction Ive ever read... This guy is the real thing." James W. Hall, author of Blackwater Sound
"A soul-mate of Jim Thompsons, or maybe of James M. Cains, he has a cast of characters which rates high on the deadbeat scale." The Irish Times
"The Guards blew me away. Its dark, funny and moving - just for starters. With a sharp eye and a lyrical voice, Ken Bruen takes us on a powerful odyssey through the mean streets of Galway, straight into the Irish heart. Bruens tale is a potent draft of desire and hopelessness, conviction and surrender, inadvertent heroism and unexpected grace. This is mystery writing f a high order." T, Jefferson Parker, author of Silent Joe
"The Guards is raw, hard, bitter and amazing. Its got that ancient feel to it, as of a primal story beign retold with fine, careless Irish swagger. Its as if Bruen made up his mind to tell us this story whether we wanted to hear it or not. Oh we do. for sure." Jon A. Jackson, author of Badger Games
"The Guards is an astounding novel, a poetic account of a desperation as deep as the North sea, retribution and resurrection. Its so good I cant think of it as a crime novel. Its a fine book with some crime." James Crumley, author of The Final Country
One day, while sitting in Grogan's bar working on his latest drunk, Jack is approached by Ann Henderson who wants to hire him to investigate the suicide of her daughter, Sarah. Ann is convinced that her daughter wouldn't kill herself and wants Jack to find the truth. Jack, drunk at the time, agrees to take the case. Once Jack starts working the case, it becomes obvious that he has a specific sense of right and wrong as evidenced when he targets his enemies. But he offsets that with a distinctly underdeveloped sense of self-preservation, or perhaps it's just dulled by alcohol abuse, as evidenced by the forthright approach he uses to confront these same enemies.
Written in the first person from Jack's point of view, it is narrated in terse, clipped sentences as though Taylor is telling us his story through tightly gritted teeth, absolutely exhausted by his ordeals. It is very reminiscent of Lawrence Block's Matt Scudder series or George Pelecanos' Nick Stefanos series. Both of these series feature characters that battle constantly with alcoholism as Jack does. Further clues to the hardboiled qualities that Bruen achieves can be found in the quotes used at the start of selected chapters, the authors of these quotes include Ed McBain, Walter Mosely, Elmore Leonard and Pelecanos. At different times you can see the influence of each of these authors making their presence felt.
As a devotee of hardboiled fiction this book really appealed to me. It's dark and occasionally depressing but the character of Jack Taylor is an honest to goodness survivor greeting most setbacks with stoic good humour he becomes a strangely endearing character and I found myself cheering for him by the end. I think it is a worthy Edgar Award nominee.
By the way, between blackouts, a trip to the mental asylum, attempts at sobriety, recovering from beatings and cataclysmic falls off the wagon, Jack does actually put some time into the case he was hired to investigate. Whether he solved the case is neither here nor there really, the important thing is how he survives.
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