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Nathaniel Hopson, a journeyman to the great cabinetmaker Thomas Chippendale, is employed to install a new library in Horsehearth Hall, the Cambridgeshire seat of the cantankerous Lord Montfort. On the evening of its completion the obnoxious Montfort is found dead. His corpse is covered in leeches but he appears to have been shot and an elegantly carved wooden box lays by his side. With vast gambling debts it is assumed that he has committed suicide to prevent his creditor Lord Foley gaining control of the estate. Hobson (and Foley) are not so sure. After stumbling on the mutilated corpse of his colleague John Partridge (the man who designed the library) in a frozen pond nearby, Hobson is convinced Montfort was murdered. Could Partridge, a foundling, have had some claim to Montfort's fortune? How are Partridge, Montfort, Chippendale and Foley all connected to the Italian actress Madame Trenti? And just why is Chippendale so desperate to recover a series of drawings from Montfort's library? Although loosely based on real incidents and bolstered with plenty of authentic detail (Gleeson was a once a Sotheby's antique expert) this novel often resorts to some fairly hoary melodramatic conceits along the way. Hobson and cohorts, for example, seem to discover an extraordinary number of conveniently illuminating long lost letters. The dialogue doesn't always ring true, though there are a pleasing smattering of "I was a lusty one and twenty years" and more than a couple of wonderfully bawdy Boswell-isms. Despite its flaws this is still an immensely enjoyable historical detective yarn. --Travis Elborough --This text refers to an out of print or unavailable edition of this title.
Janet Gleeson has brought the 18th century vividly to life with her descriptions of not only the scenery and smells (and yes there are occasions when you really can smell things!) but also the social niceties of the day. The hero for instance due to his station in life is not allowed to question statments made by a Lord, even when they are patently wrong as it is 'not his place' to do so. This makes the murder mystery even more intriguing as many things we would take for granted that you could do nowadays, were closed off to him during his investigations.
The description of travelling on top of a carriage in the snow whilst the other travellers were inside with their feet buried in straw to keep them warm, made be glad to be alive today! There are many other descriptions of everyday life of which I was totally unaware so this book has educated as well as entertained me.
This book is unputdownable and I thoroughly recommend it.
"The Grenadillo Box" made for some truly riveting reading. The authour is a rather well known art and antique expert, and her grasp for the history and social mores of the time (mid 18th century England) was fairly evident and added to the richness and texture of the novel. Also nicely one was the brilliant manner in which she captured the voice of her protagonist, Nathaniel Hopson. Nathaniel's awkwardness at mixing with those of a much higher social strata, the anger and loss he feels about Partridge's death, and the confusion he feels about his feelings for Alice is all very precisely and vividly portrayed. Indeed, it was this engaging and taking portrayal of Nathaniel that compelled me to read on. And while the plot did seem to be a little complicated (mainly because of the manner in which the story is allowed to unfold) the pacing was swift and taut, so that the book truly does make for an engrossing and suspenseful read. So that all in all, I'd vote "The Grenadillo Box" as a truly worthwhile and excellent read.
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