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As all this might suggest, McDermid has set herself a truly daunting task here, with a canvas so crammed with incident, colour and character. And when the reader learns that the central narrative is counterpointed with sections from the Fletcher Christian document, it's clear that we are a long way away from the medical and criminological puzzles of Wire in the Blood. It is to McDermid's credit that she draws so many strands together with such assurance.
--Barry Forshaw
--This text refers to an out of print or unavailable edition of this title.
‘An irresistible combination of contemporary psychological thriller and historical mystery' Tess Gerritsen
‘Cunning and gripping… A substantially entertaining novel which grips the reader’s interest from the first page until the final deeply satisfying sentence’ Express
‘Trying to solve a 200-year-old mystery becomes increasingly lethal and readable' Mirror
‘One of the world’s leading mystery writers…Thomas Harris crossed with Agatha Christie, if you will… A great read. England’s heritage history has never been so chilling’ Observer
‘Safe for the squeamish… one of her best’ Literary Review
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Everything is just one tiny step from the everyday, which, for me, makes it all the more exciting. It's all utterly believeable. You could easily know any of the characters.
I don't understand why other reviews have criticised the characters. I find them really vivid, real, visible.
On Sunday 12th March 2006 the BBC programme Countryfile was presented from the Lake District and it was alarming to see how close this book is to reality in terms of Wordsworth and the missing manuscripts. A poem by Wordsworth turned up around just 30 years ago.
Val McDermid's writing is wonderful. I looked forward to picking it up and enjoyed every page.
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