Neville Brody is one of those graphic designers whom you know because, every time you picked up a novel or record in the 1980s to check out the name of the designer, there he was. Brody is best known for his work on The Face and Arena magazines, where he did trail-blazing typographical work, but he also did more subversive assignments for industrial bands such as Cabaret Voltaire and 23 Skidoo. Many of Brody's early works are collected in this monograph, illustrating his most influential period. Touch editor Jon Wozencroft provides the words, setting the context for Brody's graphics and typefaces in a lucid and thoughtful way. All round, an excellent introduction to one of the giants of typography and one of the coolest books ever printed (really!).