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I've tried to analyse why I found it something of a chore initially, and concluded there were two possible problems. Firstly, Bartimaeus, whose witty voice added so much humour to the first book seemed to be somewhat underused. I always felt that in book one, it was his chapters that really sparkled - so hearing less of him was certainly a disappointment. I suspected that the prologue was added to inject a bit of excitement and start the book from Bartimaeus's point of view, instead of waiting a hundred or so pages for him to appear - but otherwise, it added little to the overall story. Instead we have new narrator, Kitty - and although, at first, I found her a dull substitute for the djinn, it was eventually her part of the story that held my interest and kept me reading. I warmed to her in a way I never managed with Nathaniel.
The second problem was that Nathaniel seemed even less likeable than in book one. Whereas, in 'The Amulet of Samarkand' he had some redeeming features and won the reader's sympathy by being the underdog - in this book he seemed cold, hard and very unsympathetic. I realise that he has to have some kind of emotional growth curve over the series and will, no doubt, learn from his mistakes - but I would've preferred him to be a little easier to relate to; after all, he is the main character.
In retrospect, I decided that I enjoyed the book, despite my early doubts - and look forward to the next instalment.
It's been two years since budding magician Nathaniel summoned the djinn Bartimaeus, and the two ended up enmeshed in a bizarre conspiracy. Now Nathaniel is working his way up in the world of politics and magic, with the sardonic Bartimaeus as his servant. But then the two end up in another hair-raising adventure -- a golem is attacking people in London, and Nathaniel is trying to find out who sent it, and why.
Meanwhile, the resistance against the magicians is growing, and the golem is supposedly an instrument against the magicians. But that isn't quite the case. Instead, a fiery young resistance member, Kitty, is doing some plotting of a very different sort -- and her plans will bring her neck-to-neck with Nathaniel and Bartimaeus.
Stroud takes readers to a parallel world where England is ruled not by bluebloods, but by wizards. It's not a new idea, but he gives it a new spin by wrapping it in political power as well as magic. If the backstabbing mage's world of the first book wasn't chilling enough, Stroud presents the eerie Night Police in this one.
Stroud's writing is solid and detailed, with plenty of gloomy atmosphere and the occasional hair-raising episode. Perhaps the biggest flaw of this book is that the action more often than not focuses on Nathaniel rather than the cynically lovable Bartimaeus. However, it's to Stroud's credit that he can make the intricate political plotting so interesting, while mixing in some grimly funny magic as well.
Nathaniel is still a flawed anti-hero, like Harry Potter's more ambitious cousin. While he's a passable lead character, the one who really steals all the scenes is Bartimaeus. He doesn't appear nearly enough, but his acerbic observations tend to be right on the money. And Kitty is a more likable person than Nathaniel, with a bit more fire in her personality.
The sequel to "Amulet of Samarkand" suffers from a lack of djinn, but Jonathan Stroud manages to keep it going at a steady pace. "The Golem's Eye" is a creepy fantasy read, for anyone seeking something a bit darker and deeper than Harry Potter.
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