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The Goldfinch Paperback – 5 Jun 2014

2,666 customer reviews

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Product details

  • Paperback: 880 pages
  • Publisher: Abacus (5 Jun. 2014)
  • Language: English
  • ISBN-10: 0349139636
  • ISBN-13: 978-0349139630
  • Product Dimensions: 13.1 x 4.7 x 19.8 cm
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (2,666 customer reviews)
  • Amazon Bestsellers Rank: 895 in Books (See Top 100 in Books)

More About the Author

Donna Tartt was born in Greenwood, Mississippi, and is a graduate of Bennington College. She is the author of the novels The Secret History, The Little Friend, and The Goldfinch, winner of the Pulitzer Prize for Fiction 2014.

Product Description


A glorious novel that pulls together all her remarkable storytelling talents into a rapturous, symphonic whole and reminds the reader of the immersive, stay-up-all-night pleasures of reading (Michiko Kakutani New York Times)

The Goldfinch is a triumph . . . Donna Tartt has delivered an extraordinary work of fiction (Stephen King New York Times)

An astonishing achievement . . . if anyone has lost their love of storytelling, The Goldfinch will most certainly return it to them. The last few pages of the novel take all the serious, big, complicated ideas beneath the surface and hold them up to the light (Guardian)

A modern epic and an old-fashioned pilgrimage...Dickens with guns, Dostoevsky with pills, Tolstoy with antiques. And if it doesn't gain Tartt entry to the mostly boys' club that is The Great American Novel, to drink with life-members John Steinbeck, Harper Lee, Saul Bellow, Philip Roth et al, then we should close down the joint and open up another for the Great Global Novel - for that is what this is (Alex O’Connell The Times)

Book Description

Donna Tartt's phenomenally acclaimed new novel.

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Customer Reviews

Most Helpful Customer Reviews

11 of 11 people found the following review helpful By Ajoobacats VINE VOICE on 12 Feb. 2014
Format: Kindle Edition Verified Purchase
I can't call this a review but it's more about the experience I had reading this book. It isn't a short, superficial read this book is quite long and complex and involves you at many levels. I read no other books whilst reading this and although I get through most books in a few days, it took me a week to read this as I had to absorb bits of it and take breaks to think about what I read. The emotions and feelings evoked as you embark on the journey Donna Tartt takes you on through the eyes of Theo Decker is a roller-coaster.

From the young Theo from the fist page of the first chapter through adolescence and to adulthood, Tartt binds you to her main protagonist and you become so involved you want to know what happens to Theo. However, there is no rushing the journey and somehow you realise you become to care about Theo and what happens to him.

There are long passages dealing with the history of art and antiquities which may not appeal to the interest of some readers but I think the underlying story is strong enough to hold your attention. After living with this book and the characters within for a week I can honestly say no book has drawn me in so deep this year.

If you are looking for an action packed high octane read then this probably won't be for you but if you are willing to be taken on a journey that has it's own pace then this book is one you need to read. Whether you love art or don't I think this book asks some eloquent questions about art and beauty without skimping on action and thrills.
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6 of 6 people found the following review helpful By Julia Flyte TOP 100 REVIEWER on 18 Jan. 2014
Format: Hardcover
I was somewhat apprehensive about reading this book. Firstly, it weighs a ton and secondly, the premise sounded far more odd than compelling: a boy named Theo loses his mother and steals a (real) painting on the same day. Hmm. However almost immediately I was hooked, its length became my friend and I was picking it up at every opportunity to read even a few pages.

Why did I love it so? The writing. The story - let's be honest - is interesting but in the hands of a lesser writer could easily have been forgettable. The characters - with a couple of notable exceptions - are fairly unpleasant. They lie, they swear, they steal, they take far too many drugs and they make terrible decisions. And yes, it probably could have been shorter. There is one section in Las Vegas that seems to go a terribly long time. Still loved it though.

This is a book that feels like every line has been crafted with care and thought and then honed so perfectly that it never interrupts the pace of the reader. Descriptions like: "They were a paid of white mice I thought - only Kitsey was a spun-sugar, fairy-princess mouse whereas Andy was more the kind of luckless, anemic, pet-shop mouse you might feed to your boa constrictor." (Poor Andy was still my favourite character). It takes you right inside Theo's mind. When he grieves for his mother you feel that acute visceral pain along with him. When he's attending a party in a drunken blur, you share the numbness. When you've finished this book, you will feel like you lived his life along with him.
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3 of 3 people found the following review helpful By BookWorm TOP 500 REVIEWER on 6 April 2014
Format: Kindle Edition
There's no doubt that Donna Tartt is a good writer. She has a lovely way with words and expertly manages every scene, conjuring vivid and effective images. In fact, 50% of this book would make a five star novel. The problem is that it's diluted by the other 50%, which is irrelevant padding. Good, well written, padding - but padding nonetheless. It starts very strongly, with an initial chapter set in the 'present' of the story where the protagonist (Theo) is hiding out in Amsterdam in mysterious circumstances. Then it flashes back to the terrorist explosion that changed the course of Theo's life as a thirteen year old boy. The description of the explosion and the weeks following it is extremely strong, powerful writing and makes an excellent start.

But it then loses its way somewhat, with a very long interlude describing Theo's misspent youth in the Las Vegas desert. Again, it's well written in itself, but by the end I was beginning to wonder where the story was going. I vaguely knew it was building towards the interesting-sounding scenario in chapter 1, but it was so long I could barely remember what that had described. I felt rather lost, and the subsequent section - again well written - still didn't give much structure. It does get there in the end, and with plenty of flashes of brilliance along the way, but it just takes way too long.

I liked the character of Theo, he's an interesting but ultimately sympathetic character even though I didn't entirely like some of his behaviour. There were some other well drawn characters too, and the descriptive writing is very good.
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108 of 119 people found the following review helpful By M. READ on 14 Aug. 2014
Format: Kindle Edition
Coming a bit late to the party here, I read the novel aware of most of the views expressed, and the deep divisions between reviewers--the majority hailing it as a masterpiece, while a few dissenters slam it. Far be it from me to challenge the professionals, but I think the qualities and faults are pretty clear. No-one surely can deny the charm of Tartt's style, or her ability to set up an intriguing situation (the qualities which made 'The Secret History' so popular). But the problem with an intriguing set-up is that it tends to promise more than it can deliver-- I felt this even with 'The Secret History', which I loved. Here, the last 100 pages are a bit of a mess (maybe that's going slightly too far-- let's say complex and convoluted without enough depth to balance them). But in terms of a reader's pleasure there are whole stretches that are outstanding--for me, particularly the Las Vegas section. Since my taste is always for a novel that tries to do too much rather than too little, I can't help warming even to the excesses. Yes, editors could have taken the scissors to it--but I think they would have taken its heart away--its sense of the richness and complexity of
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