- Library Binding: 274 pages
- Publisher: Vintage Books; Reissue edition (Feb 1990)
- Language English
- ISBN-10: 067972687X
- ISBN-13: 978-0679726876
- Product Dimensions: 20.1 x 13.2 x 2 cm
- Amazon Bestsellers Rank: 2,624,564 in Books (See Top 100 in Books)
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Dawn Powell grew up in rural Ohio and moved to Greenwich Village as a young woman and lived a bohemian life. She wrote 15 novels between the 1930s and the early 1960s mostly set in rurual Ohio and Greenwich Village, which were little noted during her life. She has been "rediscovered" and praised highly by some.
Dawn Powell's "The Golden Spur" was her last novel and the first book of hers I read. The book tells the story of Jonathan Jamison who, at the age of 26 leaves his Ohio home in search of his father in Greenwich Village. Jonathan's mother had worked as a typist briefly in the Village before she returned home and married what she found a rather conventional man. She delivered prematurely and told Jonathan that his true father was in New York. And Jonathan goes to search for his father --- and himself.
The book centers around The Golden Spur, a bar in Greenwich Village frequented by artists and literary types. (It had been frequented by Jonathan's mother in her New York days). We meet a cast of characters who become involved with Jonathan, including Hugow, the bohemian modern painter of questionable talent, a succession of Hugow's former lovers, some of whom are bedded by Johnathan, failed literary critics, academics, has-beens and never wases. We also meet an elderly woman named Claire Van Orphen, the writer for whom Johnathan's mother worked briefly. She befriends Johnathan and is instrumental in his search.
I couldn't recommend reading this book for the story-line. It is muddled and hard to follow at times. Nevertheless, I came away from the book thinking that my search to discover a new author had been rewarded.
This book is written in a beautiful clear prose. Each line tells and each word is in place. It is a joy to read. The satire in the book is uncompromising and biting. Because the book is a satire, the characters are somewhat one-sided. In addition, I get the impression that Dawn Powell put some part of herself (but not her whole character) in each of the people in her book-- the young person (Jonathan Jamison) leaving rural Ohio for a new life in New York City, the young sexually active women in the Village, the struggling artists, the aging unsucessful writer to take some examples. Thus I found the characterization effective.
The book works better as a series of minature episodes than as a connected novel. Each scene is tightly written and convincing written, as I indicated, in a lively and supple style. I got absorbed in the book page by page and incident by incident. Possibly as a result of this, there were times when I lost the thread of the story and the interrelationship of the characters.
The best part of the book, besides the writing style, is the picture drawn of Greenwich Village. The picture of life in the bars and of artists, some good some not-so-good, struggling in flats with their women, their friends and their agents is precious. Dawn Powell knew the life she described. Again, most of the characters, from the young man, Jonathan Jamison, through the women, through the ageing Ms. Van Orphen, were aspects of Dawn Powell herself, transmitted into one character or the other.
This is a frothy, light book not without its flaws. But I came away with the sense of discovery for which I had hoped. Dawn Powell deserves to be read.