- Mass Market Paperback: 288 pages
- Publisher: Penguin Books Ltd; New edition edition (14 May 1990)
- Language English
- ISBN-10: 0140183078
- ISBN-13: 978-0140183078
- Product Dimensions: 19.6 x 12.7 x 1.5 cm
- Average Customer Review: 5.0 out of 5 stars See all reviews (3 customer reviews)
- Amazon Bestsellers Rank: 171,423 in Books (See Top 100 in Books)
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Product Description
Product Description
An invitation to a friend's house changes an adolescent boy's life. Discovering an old diary, Leo, now in his sixties, is drawn back to the summer of 1900 and his visit to Brandham Hall. The past comes to life as Leo recalls the events and devastating outcome that destroyed his beliefs and future hopes. From the author of NIGHT FEARS.
--This text refers to the
Audio Cassette
edition.
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Customer Reviews
Most Helpful Customer Reviews
5 of 5 people found the following review helpful
"I had betrayed them all...Just what the consequences had been I neither knew nor wished to know."
28 July 2006
Format:Mass Market Paperback
Resembling both Ian McEwan's Atonement and Michael Frayn's Spies in its plot, this 1953 novel, recently reprinted, tells of a pre-adolescent's naive meddling in the love lives of elders, with disastrous results. Set in the summer of 1900, when the hopes and dreams for the century were as yet untarnished by two world wars and their subsequent horrors, this novel is quietly elegant in style, its emotional upheavals restrained, and its 12-year-old main character, Leo Colston, so earnest, hopeful, and curious about life that the reader cannot help but be moved by his innocence.
Leo's summer visit to a friend at Brandham Hall introduces him to the landed gentry, the privileges they have assumed, and the strict social behaviors which guide their everyday lives. Bored and wanting to be helpful when his friend falls ill, Leo agrees to be a messenger carrying letters between Marian, his host's sister, and Ted Burgess, her secret love, a farmer living nearby.
Catastrophe is inevitable--and devastating to Leo. In descriptive and nuanced prose, Hartley evokes the heat of summer and the emotional conflicts it heightens, the intensity rising along with the temperature. Magic spells, creatures of the zodiac, and mythology create an overlay of (chaste) paganism for Leo's perceptions, while widening the scope of Hartley's focus and providing innumerable parallels and symbols for the reader.
The emotional impact of the climax is tremendous, heightened by the author's use of three perspectives--Leo Colston, the speaker, as a man in his 60's, permanently damaged by events when he was 12; Leo as a 12-year-old, wrestling with new issues of class, social obligation, friendship, morality, and love, while inadvertently causing a disaster; and the reader himself, for whom hindsight and knowledge of history create powerful ironies as he views these events and the way of life they represent.
Some modern critics have commented on Leo's unrealistic innocence in matters of sex, even as a 12-year-old, but this may be a function of age. For those of us who can remember life without TV and the computer, it is not so far-fetched to imagine a life in which "mass communication" meant the telegraph and in which love and love-making were adults-only secrets. Mary Whipple
Leo's summer visit to a friend at Brandham Hall introduces him to the landed gentry, the privileges they have assumed, and the strict social behaviors which guide their everyday lives. Bored and wanting to be helpful when his friend falls ill, Leo agrees to be a messenger carrying letters between Marian, his host's sister, and Ted Burgess, her secret love, a farmer living nearby.
Catastrophe is inevitable--and devastating to Leo. In descriptive and nuanced prose, Hartley evokes the heat of summer and the emotional conflicts it heightens, the intensity rising along with the temperature. Magic spells, creatures of the zodiac, and mythology create an overlay of (chaste) paganism for Leo's perceptions, while widening the scope of Hartley's focus and providing innumerable parallels and symbols for the reader.
The emotional impact of the climax is tremendous, heightened by the author's use of three perspectives--Leo Colston, the speaker, as a man in his 60's, permanently damaged by events when he was 12; Leo as a 12-year-old, wrestling with new issues of class, social obligation, friendship, morality, and love, while inadvertently causing a disaster; and the reader himself, for whom hindsight and knowledge of history create powerful ironies as he views these events and the way of life they represent.
Some modern critics have commented on Leo's unrealistic innocence in matters of sex, even as a 12-year-old, but this may be a function of age. For those of us who can remember life without TV and the computer, it is not so far-fetched to imagine a life in which "mass communication" meant the telegraph and in which love and love-making were adults-only secrets. Mary Whipple
1 of 1 people found the following review helpful
Format:Mass Market Paperback
The past is a foreign country; they do things differently there ... from the first sentence I was entranced by this masterpiece of a novel, set during an Edwardian summer heatwave - you can feel the tension building as the thermometer rises. This is one of the best novels of adolescence that I have ever read. Leo Colston, now an old man, looks back on a long country house visit in the summer of 1900 which seemed then to be the dawn of a golden age. He becomes embroiled as the messenger-boy in a love triangle between the beautiful daughter of the house, the wounded hero she is expected to marry and a throbbingly-sexy farmer.
A brilliant evocation of an innocent boy groping his way in an adult world that he is ill-equipped to understand. A classic.
A brilliant evocation of an innocent boy groping his way in an adult world that he is ill-equipped to understand. A classic.
8 of 11 people found the following review helpful
Format:Mass Market Paperback
The one word that automatically springs to mind when describing this book is: atmosphere, but I have to ration my superlatives for this post-war classic, such is my admiration and delight in every one of its two hundred and something pages. The prose is sublime and the story is a nostalgic evocation of a child's uncertain and naïve attempt to unravel the adult world. Its a simple little tale of class, lust, lies and cricket. It is so hot, this distant longed-for English summer, that the mercury throbs in the thermometer. For me, this book is sublime and immortal, others must decide for themselves. I recommend it without reservation.
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