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With each generation the characters' lives and personalities contrast and intertwine according to the rise and fall of the countries'--and the world's--politics. Rajkumar, the Indian peasant who makes a fortune through teak and his wife Dolly, the breathtakingly beautiful maid of the Burmese royal family, contrast to Uma the Indian widow who becomes a champion for Indian independence after her liberating time in the USA and the Americanised Matthew who makes a life in his half-native Malaya as a rubber plantation owner, while Uma's Bengali nieces and nephew contrast to Rajkumar and Dolly's newly wealthy sons. Yet they all suffer in the Second World War, whether as a soldier, refugee or evacuee discriminated against because of their skin colour. Ghosh's focus on the war in Burma, from the viewpoint of Indian officers in the British army, who have been imbued through their regimental history to believe in their allegiance to "their" country (i.e. Britain and not India), reveals a side of both world wars that is rarely told. The struggle these British subjects experience, as to whether colonial or fascist masters are better, is not something that shaped the general European knowledge of the Second World War, where "good" and "evil" seemed much clearer.
However, The Glass Palace is not only about war; and the full circle it travels, from one glass palace in the lush and rich 19th-century Burma to another glass palace in repressed and impoverished Myanmar is, seemingly with ease from the lush and rich prose, satisfying and informative. It is a novel in which the characters will always go on living, and whose ideals will never die. --Olivia Dickinson --This text refers to an out of print or unavailable edition of this title.
‘A distinctive voice, polished and profound.’ TLS
‘Ambitious, multigenerational, “The Glass Palace” is akin to a 19th-century Russian novel…a rich, layered epic that probes the meaning of identity and homeland.’ LA Times
‘An absorbing story of a world in transition, brought to life through characters who love and suffer with equal intensity.’ J.M. Coetzee
‘A “Doctor Zhivago” for the Far East.’ Independent
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Working as suppliers of teak, petroleum, and rubber, members of this family and of two other families with whom they have close ties, also work as soldiers supporting Britain during World Wars I and II, with the independence movement in Burma and India, and eventually as anti-communist intellectuals in the present state of Myanmar. By having these families participate in the important historical events which occurred in this part of the world, Ghosh does a remarkable job of personalizing these events and making them memorable for readers. The action, especially during the World War II invasion of Malaya by the Japanese, is vivid and exciting, as people try to flee the shooting in Malaya but find roads closed to Burma and Siam. While this is not War and Peace, The Glass Palace is a fascinating look into the history and cultures of a region which has had little exposure in western novels. Mary Whipple
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