This is the high-tension opening premise of the third book in Stieg Larsson’s phenomenally successful trilogy of crime novels which the late author (a crusading journalist) delivered to his publisher just before his death. But does it match up to its two electrifying predecessors, The Girl with the Dragon Tattoo and The Girl who Played with Fire? The success of Larsson’s remarkable sequence of books is, to some degree, unprecedented. Crime fiction in translation has, of course, made a mark before (notably with Peter Hoeg’s Miss Smilla’s Feeling for Snow, published, in fact, by Larsson's British publisher, Christopher MacLehose). But even the success of that book gave no hint of the juggernauts that the Salander books would be (the late author's secondary hero is the journalist Blomqvist -- who bears more than a passing resemblance to Stieg Larsson himself).
There are two overriding reasons for the hold that this massive trilogy has attained on the public: machine-tooled plotting which juggles the various narrative elements with a master's touch and (above all) the vividly realised character of Lisbeth Salander herself. She is something of a unique creation in the field of crime and thriller fiction: emotionally damaged, vulnerable and sociopathic (all of this concealed behind a forbidding Goth appearance), but she is also the ultimate survivor, somehow managing to stay alive despite the machinations of some deeply unpleasant villains (and the new book has a slew of those) as well as the hostility of often stupid establishment figures, who want her out of the picture quite as passionately as the bad guys. She is, of course, aided by the protective journalist Blomqvist, despite the fact that she had dumped him as a lover. The Girl who Kicked the Hornet’s Nest brings together all the elements that have made the previous books of the sequence so successful. Its relentless pace may be a bit exhausting for some readers, but most will be happy to strap themselves in for the ride. It's just a shame that this will be the final book in the sequence (though conspiracy theorists are hinting that Larsson began another manuscript before his untimely death…) --Barry Forshaw
'By some alchemy, Larsson has made a character who ought to be completely unbelievable into one of the most compelling and convincing in modern fiction … one wonders what Sherlock Holmes and Miss Marple would make of her, but Lisbeth Salander bids fair to join them in the ranks of crime fiction's true immortals' Daily Telegraph.
'The pace rarely lets up … it's an exhilarating read … this is a strong and satisfying conclusion to a massively ambitious, richly textured trilogy' Daily Express.
'There is comparison with that other great work of contemporary entertainment, The Wire, in the rage and clarity with which injustice becomes the driver of a novel way of looking at society. Be warned: the trilogy, like The Wire, is seriously addictive.' Guardian.
'Complex, satisfying, clever, moral ... a grown-up novel for grown-up readers ... this is why the Millennium Trilogy is rightly a publishing phenomenon all over the world' Kate Mosse.
'Fans will not be disappointed; this another roller-coaster ride that keeps you reading far too late into the night. Intricate but flawlessly plotted, it has complex characters as well as a satisfying, clear moral thrust … most compelling is the character of Salander … I cackled with glee as she turned the tables on her enemies in a climactic courtroom scene … Who'd have thought a Swedish geek could set British pulses racing' Evening Standard.
From the Back Cover
THE TRIAL: Lisbeth Salander - outsider and apparent enemy of society - is charged with attempted murder. The state has also ruled that she is mentally unstable, and should be locked away in an institution once again. But she is closely guarded in a hospital, having taken a bullet to the head, so how will she prove her innocence? THE ENEMY: Pulling the strings of the prosecution is the powerful inner circle of Sapo, the state security police. Determined to protect the secrets and corruption at Sweden's rotten core, Sapo is not an adversary to take on alone. THE GIRL WHO KICKED THE HORNETS' NEST: Only with the help of Mikael Blomkvist and the journalists at Millennium magazine can Salander avoid the fate that has been decided for her. Together they form a compelling and dynamic alliance. This final volume of the Millennium Trilogy is the culmination of one of the mesmerizing fictional achievements of our time.--This text refers to the Paperback edition.
About the Author
Stieg Larsson was the founder and editor-in-chief of the anti-racist magazine Expo. He was a renowned expert on right-wing extremist organisations. He died in 2004, soon after delivering the text of the novels that make up the Millennium Trilogy. Reg Keeland is the translator of many fine writers from Swedish.